Showing posts with label The Persuaders.. Show all posts
Showing posts with label The Persuaders.. Show all posts

Saturday, 24 March 2012

The Persuaders - Episode Eight - Take Seven (1971)


Real or fake? Danny and Brett find it explosively dangerous when trying to help a girl whose long-missing brother apparently has a rightful claim to the estate she has inherited. The outcome is surprising. The legal verdict is clear. Mark Lindley (Christian Roberts) is the man he claims to be - the long-missing brother of Jenny Lindley (Sinead Cusack), who has inherited the wealthy Lindley estate left a number of years back on the death of her parents. Now she has nothing. Under the terms of the will, Mark is the sole legate.

Judge Fulton (Laurence Naismith) is not so sure, though, that theverdict is right. He believes Jenny when she says her brother is dead. Is Markreal or fake? His own story is undoubtedly convincing. And when Danny Wilde(Tony Curtis) and Brett Sinclair (Roger Moore) are persuaded by the Judge toinvestigate, they are also inclined to side with the attractive Jenny - much totheir discomfort, as they soon discover when they meet her and shots are firedthrough the window at them.
Mark, it seems, is ready to use violence to protect his interests. Yet he has a cast-iron alibi for the night of the shooting. Taking it from there, Danny and Brett seek the assistance of a contact known as The Farmer (Victor Platt), who first of all warns them that they are being followed by a private eye named Peter Hayward (Garfield Morgan) and later takes them to the house occupied by the man they are seeking, a professional killer called "The Major" (Colin Vancao). They come close to being his next victim (sic) - then, without warning, he topples forward dead, shot in the back.
Jenny's lawyer David Conron (Richard Hurndall) is the next link in the chain when he 'phones a message to Brett asking him to go to a farm. The farmer is a nephew of the Lindley's former nurse and he has his diary, and although an attempt is made to kill Conron and destroy the diary, it fails.
Meanwhile, Danny has discovered that Jenny has gone to Mark's apartment. He gets this message through to Brett, and both make for the house to find Mark and Jenny engaged in a cat-and-mouse game of murder. By now, Brett knows the truth. The secret has been revealed in the nurse's diary.
But can he and Danny prevent another murder? They also have some reckoning to do with the double-crossing private detective, Peter Hayward.

Sunday, 11 March 2012

The Persuaders - Episode Seven - The Old, The New & The Deadly (1971)

A fanatical ex-Nazi, a girl who is trying to clear her father's name of a wartime stigma and the statuette of a bird combine to put Danny's life in peril. There are startling repercussions for the unfortunate Danny Wilde (Tony Curtis) when he spots the glamourous Suzanne Wager (Anna Gael) with her newly-wed husband Frank (Gary Cockrell). He collides with a man named Denton (Michael Segal) whose despatch case falls to the hotel floor and bursts open. A newspaper picture being taken at the time shows him picking up a statuette of a German eagle.
The newspaper photograph is of great interest to an aged Frenchman, Le Comte Marceau (Patrick Troughton) a fanatical ex-Nazi who shifted his own guilt on to Suzanne Wager's father, whose name now has the stigma of having collaborated with the Nazis.
The photograph is Danny's execution warrant. Marceau orders, in the belief that he is the possessor of the statuette: "I want him dead." And one attempt after another is made on Danny's life, each time foiled by the alertness of Brett Sinclair (Roger Moore).
In the meantime, Suzy has been approached by Denton who tells her that he will sell her evidence which will clear her father's name. Suzy rebels at having to ask her husband for so much money, and appeals to Danny for advice. Unfortunately, her husband jealously (and with a thump on Danny's jaw) breaks up the conversation before she has managed to tell him much. The thwarted Marceau then hires another killer, Groski (Derren Nesbitt), who 'phones Danny with the warning that the attempts on his life have not ended but has a proposition to make.
The two men meet up with Brett nearby. It then becomes obvious that the lines are getting crossed. Danny has no idea what Groski is talking about when he says he wishes to buy the statuette. Once again, Brett is able to help Danny out of his latest predicament, and they now know that the statuette is the key to the mystery.
Close examination of the original newspaper photograph shows an address on some headed notepaper that had fallen out of the suitcase. Danny and Brett lose no time in making for the address, and arrive to find that Suzy has been lured there. But they are too late. Denton has been killed and the statuette is missing.
They have only one clue to work on. Brett has spotted a very old Rolls Royce several times. It provides the much-needed common factor. Once they can trace the owner, they can find.

Thursday, 23 February 2012

The Persuaders - Episode Six - The Gold Napoleon (1971)


All that glitters may not be gold - but the question for Danny and Brett is whether there's glitter beneath the bronze of Napoleon coin replicas in this, the sixth episode of the legendary ITC classic, The Persuaders.......
Who was the intended victim - Danny Wilde (Tony Curtis) or the pretty blonde Michelle Devigne (Susan George) standing by his side at Nice Airport?

Danny can't believe the bullet was for him. Michelle is certain that it was not for her - or so she says. Whoever fired the shot has wounded her sufficiently for her to be taken to hospital. Brett Sinclair (Roger Moore) expresses the option that the shot was meant for Danny, but Judge Fulton (Laurence Naismith) disagrees. A newspaper cutting explains why: "Mdlle Devigne, who lives with her uncle, one of Monte Carlo's most exclusive jewellers, had been voted the most talented student at the Valouris Art Centre before her sudden decision to continue her studies in London."
Fulton wants to know why she should have made this sudden decision. He links this up with the fact that her uncle deals in gold, specialising in gold coins, medals and plaques and that it is on record that he sold a gold Napoleon 100 franc piece which turned out to be counterfeit. Is it a coincidence that, while at the airport, Michelle dropped her belongings, among them an ink portrait of Napoleon III, encircled as though on a coin? Fulton produces a similar coin - literally worth its weight in gold. Hundreds of them have appeared periodically in Paris, Rome, Geneva and Beirut, which could be a good way of unloading gold bullion.
This, in fact, provides the moment of truth for Michelle when her uncle, Monsieur Devigne (Harold Goldblatt) visits her in hospital and she challenges him: "Those moulds I made of the Napoleon coin were not for bronze replicas." Her uncle tells her he had no choice: he is in the hands of a ruthless syndicate. And it is because she has visited the foundry and has been seen running away that an attempt was made to kill her. Devigne taxes the syndicate boss, Pullicino (Alfred Marks) with this, but is told that everything will be all right so long as Michelle keeps her mouth shut. This is a critical moment. Two-and-a-half million dollars worth of gold are about to be moved through Devigne's "imitation" coins.
Later, a quarrel between Devigne and Pullicino is to lead to Devigne's murder, which means that Pullicino no longer has control over Michelle. Once again, he orders that she must be silenced.The death sentence is also passed on Danny when he breaks into the foundry and discovers the truth, but he and Michelle escape their fate and, with Brett, set out on the dramatic chase to prevent the gold getting across the border into Italy.
It's a chase with hazards in every bend of the winding roads and unexpected drama just as triumph appears to be in their hands.

Saturday, 11 February 2012

The Persuaders - Episode Four - Angie, Angie (1971)


The French Riviera is the setting for the fourth episode of the classic ITC series, The Persuaders. Danny Wilde meets up with a friend from way back and learns, too late, that the gaiety of a film festival is a mask for murder. Kyle Sandor (John Alderson) has come to the Cannes Film Festival to enjoy himself, somebody else has come to kill him, but who?.....This is what Judge Fulton (Laurence Naismith) wants Brett Sinclair 
(Roger Moore) and Danny Wilde (Tony Curtis) to find out!
Sandor, ex-boss of a big union in the United States intends to testify at a Congressional Investigation into criminals taking over the Unions. The Hoods intend to see that he never makes the stand. Only Brett's speed saves Sandor from a bullet fired through the French windows at the casino where Sndor is playing the tables with his right hand man Ben (Lionel Murton) and two guards. Brett chases the gun-man into the grounds, but he gets away!
Brett has a lead - the girl, Marissa (Kirsten Lindholm) who had caught his eye as she opened the window for the mystery gunman and set up the shot for him. When he sees her again, she is with Angie (Larry Storch). Angie is Danny's boyhood pal from the slums of New York. He has turned up in Cannes, but is evasive about what he is doing there. Danny refuses to believe a suggestion that Angie could be the hit man for the crooks and sets out to prove to Brett that he is making a mistake. Angie is in trouble. He is warned that he must miss the Union boss next time, and it is Ben, Sandor's trusted Lieutenant who is giving him his orders.
That night, Sandor is to attend a special film screening and he ensures that his old friend Danny will not be there by giving him a drugged drink, and efforts to remove Brett from the scene are made by his being sent off on a wild goose chase and attacked. Brett escapes, however, and races to the cinema in time to save Kyle Sandor for a second time. In the fight that follows, Angie escapes but returns to his hotel to bid farewell to his old pal, the half conscious Danny. Danny, now knowing the truth, strains to clear his drugged senses and gives chase, following Angie to a remote mountain spot where, just like the games they played as kids, they stalk each other. This time their guns are real.
But it's more than Danny can bring himself to do, when the chance presents itself for him to kill Angie. The from the shadows a new voice breaks the night and Danny pivots to see Ben, machine pistol at his hip and aimed in their direction. He is about to fire when a rock, thrown from behind, hits his hand. It's Brett, who has forced Marissa to tell him where Angie has gone.
The advantage, though, still lies with Ben, until Danny takes a gamble on Brett's lucky number at roulette.

Sunday, 15 January 2012

The Persuaders - Episode Three - Five Miles to Midnight (1971)

Five Miles to Midnight was the third episode of the classic ATV series, The Persuaders and guest starred Joan Collins. Smuggling an American Gangster out of Italy proves to be no joy ride for Brett & Danny, despite the assistance of a glamorous girl photographer.
The killing of an Italian Underworld boss named Gino Franco detonates a havoc - ahead explosion for Brett Sinclair (Roger Moore) & Danny Wilde ( Tony Curtis). The assassin is Frank Rocco (Robert Hutton) a New York Gangster who is sitting comfortably in Rome to evade a tax evasion charge awaiting him back in the States. Now, he is on the run again. There is no way out for him. He promises U.S. authorities that if they save him and reduce his sentence, he will lift the lid on an East Coast crime syndicate.
The U.S Authorities agree and Danny & Brett find themselves with another assignment from Judge Fulton (Laurence Naismith) who wins their reluctant co-operation when he tells them that if they get Rocco back to America it will be the biggest breakthrough ever made against organised crime!
Danny sets off with Rocco hidden under a tarpaulin in an old truck owned by Sidonie (Joan Collins) a beautiful girl photographer who smells a great scoop here and insists on accompanying them. Brett follows in his car creating a dramatic diversion at a police checkpoint which enables Danny to drive Rocco off in a different direction.
Unnoticed in the melee, a car starts silently after Brett. It carries Torrino (Robert Rietty) a big time Italian Mobster bent on vendetta. When Brett catches up with Danny and his passengers they abandon the truck because the police now know the number and begin to make their way on foot. Reaching an imposing villa they tell the owner, Sangallo (Ferdy Maine) that their car has broken down and he invites them to dinner.
Brett & Danny have chosen their host unwisely, he later locks them in and calls Torrino and they find themselves surrounded. Their escape has a melodramatic note, but is successful and they wind up a mountain road with Torrino and his henchmen in hot pursuit. Ahead is police block. But they get through on foot, bicycles and an old farm truck and have only five miles to go to the border when Sidone spots the sinister convoy of gangster cars.
Brett sends Sidone and Rocco into the bushes and drives on as a decoy with Danny, but Torrino catches up with them. It's not quite the end of the trail though. There's a big surprise for Torrino and an even bigger surprise for Brett & Danny!

Sunday, 8 January 2012

The Persuaders - Episode Two - To The Death, Baby (1971)


To The Death, Baby was the second episode of the cult classic, The Persuaders. A beautiful girl is a crock of Gold to men in search of Millions - but there are surprises at the end of the rainbow. A rich girl is inevitably the subject of envy & attention, and Shelley Masterson is a very rich girl indeed. She has inherited a soap empire and a fortune.
Lord Brett Sinclair (Roger Moore) & Danny Wilde ( Tony Curtis) slither along the softy soaped trail to intrigue when in Spain and witness a row between two men named Hatton (Thorley Walters & Foster (Terence Morgan) Hatton tells them that he is Shelley Masterson's financial adviser and hike is worried because Shelley has fallen for the wiles of the slithery Foster, an undoubted con man with all the charm of his profession.
Thirty million dollars are at stake - the size of Shelley's fortune. Foster has, in fact, been backed by a notorious gangster, Coady (Harold Innocent) to finance the seduction. Coady's cut will be half of Shelley's fortune when it falls into Foster's hands.
Brett & Danny can see one possible way out of the difficulties. They must both vie for Shelley's attentions in the hope that one of them will lure her away from Foster. Meeting Shelley Masterson (Jennie Linden) is a pleasure. She is not only wealthy, she is very, very beautiful and worth fighting for on her looks alone.
Brett & Danny soon discover though, that trying to win Shelley's affections is just the start of the explosively dangerous project, the first intimation of which is finding a document signed by Shelley, giving Foster control of her money should anything happen to Hatton. And it looks as though something is going to happen when he disappears.
Brett tails Foster to a village, where he finds the abducted Hatton who, after being rescued, says he has been forced to sign a document for 100,000 Dollars in Foster's favour, but it needs Shelley's counter signature. The solution would be a court case, but Shelley says she can not face being a public figure of fun.
Brett & Danny decide on another way to help. Unknown to each other, they stake Shelley to 100,000 Dollars to pay Foster off - and then find that Shelley and Hatton have disappeared and, with Foster's help, have taken Brett & Danny for 200,000 Dollars - or so they think. Shelley Masterson is a phoney, in league with the others, but they still have gangster Coady to reckon with and he wants his promised cut of the money.
Shelley is now in such deadly danger that Hatton has to go to Brett & Danny for help.

Thursday, 29 December 2011

The Persuaders - Episode One - Overture (1971)


Anonymous invitations to a luxurious Cote d'Azure hotel bring a wealthy American and an Aristocratic English man together - tricked into teaming up for what is to be a new challenging career of adventure and danger.
Danny Wilde (TONY CURTIS) and Brett Sinclair (ROGER MOORE) provide a striking contrast. Danny is a rough diamond, self polished - a man who has emerged from a tough New York slum background, now moves in high society, has made and lost several fortunes and never has to worry about being able to make another one if necessary. Brett, on the other hand, is a real live Lord from a long line of aristocrats, has the languish and polished perfection of his class and is very much a member of the caviar and champagne set.
Nevertheless, they have a lot in common. Both are handsome and highly personable and both are magnetic to beautiful women. Their meeting is unexpected, but planned. Each receives an anonymous invitation to a luxurious Cote D'Azure hotel. Their first encounters are skillfully manipulated, climaxing in a good-humoured but none the less vigorous fight which almost reduces the hotel restaurant to rubble.
Facing the prospect of imprisonment, they find themselves at the mercy of their mysterious host, a former Judge named, Fulton (LAURENCE NAISMITH) who berates them for being playboys but says he can help them. As an active Judge, he had applied justice according to the law which meant that many criminals escaped. In retirement, he has resolved to correct the balance between law and justice and Danny and Brett are his chosen instruments for righting legal wrongs!
Prison is their only alternative to complying with his wishes, so they comply. And their first task has its appealing aspects: to check out a lovely brunette by the name of Maria Lorenzo (IMOGEN HASSALL) who can be identified by a clothes-covered birthmark. This is easier said than done. Judge Fulton has set a trap to test them. They are attacked by a couple of thugs and they are shot at, but they do manage to identify Maria and discover - as Fulton already knows - that she is the sister of a crime syndicate boss said to have been shot two years earlier. But the usual battle for power following a top "Hood's" death did not materialise, why not?
Danny and Brett find that Maria really does believe that her brother is dead and that she has no idea what his business was. She is staggered when she discovers that her brother is still alive and is the most wanted man in the Mediterranean. Danny and Brett, as well as Maria and Judge Fulton himself are now in real peril!......

Saturday, 17 December 2011

Roger Moore & Tony Curtis are The Persuaders (1971)

File:The Persuaders! titlecard.jpg
I was a young boy of 5 when ITV first screened the Persuaders. I was a huge fan of Roger Moore's even then and The Persuaders has remained my all time favourite television series. They just simply do not make them like this any more.
The Persuaders! was an action/adventure series, produced by ITC Entertainment for initial broadcast on ITV and ABC in 1971. It has been called "the last major entry in the cycle of adventure series that had begun eleven years earlier with Danger Man in 1960", as well as "the most ambitious and most expensive of Sir Lew Grade's international action adventure series".
Despite its focus on the British and American markets, the show was popular elsewhere. It won its highest awards from Australia and Spain while Roger Moore and Tony Curtis were decorated in Germany and France for their acting. It persists in the memory of European filmmakers and audiences, having been casually referenced in 21st century productions from Sweden, France, Britain and Germany.
The Persuaders starred Tony Curtis as Danny Wilde, and Roger Moore as Brett Rupert George Robert Andrew Sinclair, 15th Earl of Marnock, referred to through most of the series by his courtesy title of Lord Brett Sinclair, two international playboys. Much of the humour of the show derived from playful observations about the differences between British and American customs. The show ended after one season, in consequence of failing to make an impact on US TV, thereby releasing Roger Moore to star in the popular Bond films. Roger Moore had been directly involved in the production of the series, and the need for an American co-star was deemed by all imperative to ensure a television release in the USA. An overture to Rock Hudson was rejected, as it was by second choice Glenn Ford. A list of candidates was then sought from ABC America. Tony Curtis agreed to the series project and flew into England in April 1970 to commence location filming, only to create headlines of a different type by way of his arrest at Heathrow Airport for possession of cannabis. He was fined £50.
The Persuaders! are two equally-matched men from different backgrounds who reluctantly team together to solve cases which the courts cannot.
  • Danny Wilde (Tony Curtis) is a rough diamond, educated and moulded in the back slums of New York City, who escaped by enlisting in the U.S. Navy. He later became a millionaire in the oil business. (Curtis himself suffered a tough childhood in the Bronx, and served in the US Navy. He was 46 when he made The Persuaders, but performed all his own stunts and fight sequences.)
  • Lord Brett Sinclair (Roger Moore) is a polished Harrow and Oxford educated English aristocrat; a former British Army officer and an ex-racing car driver, who addresses his comrade-in-arms as "Daniel".
Now globe-trotting playboys, the men meet on holiday in the French Riviera, instantly disliking each other and destroying a hotel bar with their fist-fight. Arrested, they are delivered to retired Judge Fulton (Laurence Naismith) who offers them the choice of spending ninety days in jail or helping him right errors of impunity. Grudgingly, Wilde and Sinclair agree to help solve Fulton's initial case. He then releases them from any threat of jail.
The men develop a sparing affection for each other, and are soon stumbling into more adventures: sometimes by chance, sometimes due again to Judge Fulton. Although the Judge recurs in the series, he has no formal relationship with his two agents. Several episodes depict his finding a way to convince Wilde and Sinclair to act on his behalf. For instance, in "Angie, Angie" he easily convinces one of the pair. In "The Man in the Middle" he endangers his agents, so that they must act in his behalf. When they are short of cash, he lures them with money. In "Powerswitch" he manipulates events from the shadows, with Sinclair and Wilde not knowing of the Judge's involvement.
In episode 12, "That's Me Over There", it appears that Sinclair has had a longstanding interest in crime-fighting, as he has had installed a dedicated telephone line for an informer on a master criminal. In episode 17, "Five Miles to Midnight", he tells Joan Collin's character that he personally works for the Judge because it has given him something worthwhile to do after his failed motor racing career; Wilde never reveals nor explains his reasons.
The Persuaders titles and synthesiser theme, by John Barry establish the background and current identities of the protagonists via split-screen narrative technique: two folders, one red, one blue, labelled Danny Wilde and Brett Sinclair simultaneously narrate their lives. As the biographies approach their current ages, a series of four short sequences combine live footage with torn newspaper clippings, connoting their excitingly peripatetic lifestyles. The conclusion shows them together enjoying a life of sport, drink, women, and gambling. The titles were specifically designed so that neither actor would appear to have top billing, something both Moore and Curtis stipulated when they agreed to co-star.
The title sequence retains a cinematic technique cachet among professional film editors. In 1995, Peugeot released an advertisement for the 306 car, with the theme of the opening title sequence, the split screen process and even the voice of Michel Roux, who dubbed Tony Curtis in the original series. In 2007, France 2 satirically used it to introduce a report about relations between the newly-elected French President Nicolas Sarkozy and his first Prime Minister Francois Fillon Moreover, the same channel reprised the satire for the 13 October 2007 episode of On n'est pas couche about the strained relationship between McLaren Formula One drivers Lewis Hamilton and Fernando Alonso.
Both Brett Sinclair & Danny Wilde drive signature cars: Danny Wilde drives a Red left-hand-drive Ferrari Dino 246 GT, Brett Sinclair drives a UK-registered Bahama Yellow right-hand-drive Aston Martin DBS with V8 wheels and markings. As with Simon Templar (Roger Moore's character from The Saint television series), Lord Brett Sinclair's car has Personalised number plates of his initials; Templar’s were “ST 1”, Sinclair’s are “BS 1” (Except for one scene in the episode "The Gold Napoleon" where the car had its original UK registration number PPP 6H instead). In fact, the true owner of the plates at the time, Billy Smart Jr permitted their fictional use. The Aston Martin from the show was sold by the factory after filming ended, via HR Owen in London, to its first private owner. It was restored to a very high standard in recent years by the Aston Martin factory and is still in private ownership in the UK. Danny Wilde’s car bears Italian registration plates, 221400.MO (the 'MO' component represents the city of Modena, which happens to be the headquarters and manufacturing base of Ferrari). The exact whereabouts of the Dino today is unknown but it is reliably believed to be alive and well in Italy with a private owner.
The concept of The Persuaders originated in one of the final episodes of The Saint titled "The Ex King of Diamonds", wherein Simon Templar (Moore) is partnered with a Texas oilman (Stuart Damon) in a Monte Carlo gambling adventure. Liking that combination, Robert S. Baker and Lew Grade funded a new series. Unusually, production of the series began and continued without contracts among the producers and Moore. Moreover, Moore's role as producer is not obvious from watching the series, but Curtis confirmed the fact: "Roger was always like the host with the show, because it was his company that was producing it. I would say he was the largest independent owner of it; Roger and his company owned it with Bob Baker, and Sir Lew owned the rest of it."
At the time, the twenty-four episode The Persuaders! was the most expensive British television series produced, each episode costing £100,000, ( 2007:£1,800,000 ) for location filming in France, Spain, Sweden, and Italy, and star salaries. One of the series' unusual production aspects was that Roger Moore was — officially and practically — his own wardrobe artist, stemming from genuine sartorial interest and marketing his line of clothes by the Pearson and Foster firm.
There has been much speculation over the years concerning the professional relationship between Roger Moore and Tony Curtis on- and off-set. In her autobiography, Second Act, Joan Collins detailed how they did not get along when she was a guest star. She cited Curtis's foul temper for why the set of the "Five Miles to Midnight" episode was tense. Episode director Val Guest, in a 2005 interview to the British Film Institute confirmed Collins's assessment of Curtis:
Yes, it was great fun doing The Persuaders, despite Tony Curtis. [laughter] I'll tell you a funny story about that:
"Tony was on pot at the time, and I used to have to say 'Oh, go and have a smoke'm', because he always had some gripe of some kind, and, one day, we were shooting on the Croisette, in Cannes, and we’d been roped off our little thing, and there were crowds all around watching us film and everything, and Tony Curtis came down to do his scene and he was just carrying on at the wardrobe saying, 'You didn’t do this, and you should have done that... and in Hollywood you would have been fired....' And dear Roger Moore walked over, took him by the lapels, looked him straight in the eyes and said, 'And to think those lips once kissed Piper Laurie'. [laughter] Well, the whole of the Croisette collapsed, the unit collapsed, and, I must, say even Tony had to laugh, but we were asked to do another... we got the award that year for the best TV series, I think it was, and they wanted to do a repeat, and I remember Roger saying, 'With Tony Curtis, not on your life', and he went on to become James Bond, so he did all right."
—Val Guest, Director
In his autobiography, Still Dancing, Lew Grade notes that the actors "Didn't hit it off all that well", because of different work ethics. Despite third-party claims, Curtis and Moore consistently maintained they had an amicable working relationship. Moore says: "Tony and I had a good on- and off-screen relationship, we are two very different people, but we did share a sense of humour".
In a 2005 interview, Curtis referred to Moore with affection and revealed he would not participate in a remake of The Persuaders! without Moore.
Lew Grade was always keen to break into the American TV market, which is why he kept coming up with series featuring American actors (Man in a Suitcase, The Champions, The Baron). Failure to do so would often lead to cancellation. But The Persuaders made little impact in the US, where it aired opposite Mission Impossible on Saturday nights. It was very much a case of "mission impossible" for the British series to "persuade" audiences to switch over despite the fact that Impossible was itself not in the top 30 of all programs in 1971. The show was pulled by ABC before all 24 episodes were shown.
Four pairs of episodes from the series were re-edited into four individual TV movies for the ITC American market, entitled The Switch, Mission: Monte Carlo, Sporting Chance and London Conspiracy. A fifth episode pairing was planned, simply entitled The Persuaders, but never completed. This format, too, did little to spark American interest.
In Britain the show fared much better, placing easily in the top 20 of all shows in 1971.
The series' popularity in Britain earned it re-runs on Channel 4, Granada Plus, Bravo and ITV4 in the 1990s and 2000s. When the pilot episode Overture was screened as part of Channel 4's nostalgia strand TV Heaven in 1992, that series' host, comedy writer Frank Muir, said in a Radio Times interview that The Persuaders "must have been the best bad series ever made... absolute hokum". However, BBC Radio 5 presenter Dave Aldridge later asked: "Was seventies TV really this good?"