Friday, 30 December 2011

Classic Kids TV - Hickory House

Hickory House Hickory House
Hickory House Hickory House
Hickory House Hickory House

Hickory House is a British television programme aimed at pre-school children. It was produced by Granada Television from 1973 to 1977 and broadcast on weekday lunchtimes.

Each programme was usually hosted by a pair of presenters, most often including Alan Rothwell. The setting was normal house, but in Hickory House household objects were brought to life through puppetry. The puppet characters included Humphrey Cushion (a grey cushion with a fondness for bananas), Dusty Mop (a mop with a long red nose) and the Handle Family. The puppets were created by Barry Smith's Theatre of Puppets.

Hickory House - Humphrey Cushion Hickory House - Dusty Mop

Hickory House - Louise Hickory House - Alan, Humphrey & Louise

All 129 episodes survive in Granada's archive, although none have yet been released on DVD.

The animated opening title sequence of Hickory House began with Granada Television's "G" logo transforming into a house. This innovation was used again in 1978 with the game show 3-2-1, when Yorkshire Television's "Y" logo was worked into an animated title sequence. Curiously, this later programme also featured a character named "Dusty" based on a household item (in this case, a dustbin).

Thursday, 29 December 2011

The Persuaders - Episode One - Overture (1971)


Anonymous invitations to a luxurious Cote d'Azure hotel bring a wealthy American and an Aristocratic English man together - tricked into teaming up for what is to be a new challenging career of adventure and danger.
Danny Wilde (TONY CURTIS) and Brett Sinclair (ROGER MOORE) provide a striking contrast. Danny is a rough diamond, self polished - a man who has emerged from a tough New York slum background, now moves in high society, has made and lost several fortunes and never has to worry about being able to make another one if necessary. Brett, on the other hand, is a real live Lord from a long line of aristocrats, has the languish and polished perfection of his class and is very much a member of the caviar and champagne set.
Nevertheless, they have a lot in common. Both are handsome and highly personable and both are magnetic to beautiful women. Their meeting is unexpected, but planned. Each receives an anonymous invitation to a luxurious Cote D'Azure hotel. Their first encounters are skillfully manipulated, climaxing in a good-humoured but none the less vigorous fight which almost reduces the hotel restaurant to rubble.
Facing the prospect of imprisonment, they find themselves at the mercy of their mysterious host, a former Judge named, Fulton (LAURENCE NAISMITH) who berates them for being playboys but says he can help them. As an active Judge, he had applied justice according to the law which meant that many criminals escaped. In retirement, he has resolved to correct the balance between law and justice and Danny and Brett are his chosen instruments for righting legal wrongs!
Prison is their only alternative to complying with his wishes, so they comply. And their first task has its appealing aspects: to check out a lovely brunette by the name of Maria Lorenzo (IMOGEN HASSALL) who can be identified by a clothes-covered birthmark. This is easier said than done. Judge Fulton has set a trap to test them. They are attacked by a couple of thugs and they are shot at, but they do manage to identify Maria and discover - as Fulton already knows - that she is the sister of a crime syndicate boss said to have been shot two years earlier. But the usual battle for power following a top "Hood's" death did not materialise, why not?
Danny and Brett find that Maria really does believe that her brother is dead and that she has no idea what his business was. She is staggered when she discovers that her brother is still alive and is the most wanted man in the Mediterranean. Danny and Brett, as well as Maria and Judge Fulton himself are now in real peril!......

Tuesday, 20 December 2011

House of Fun - Madness (1982)

Madness,House Of Fun,UK,Deleted,7
Madness,House Of Fun,UK,Deleted,7
"House of Fun" was a song by British ska/pop group Madness, credited to Mike Barson and Lee Thompson. It was released as a one-off single on April 30, 1982, and reached No1 in the UK charts, spending 9 weeks in the charts. The song was re-released in 1992, reaching No40. As of 2008, it is the band's only number one single in the UK.
Madness,House Of Fun,UK,Deleted,5

House of Fun was originally recorded under the title "Chemist Facade", without the "Welcome to the House of Fun" chorus. However, while the song was being recorded, head of Stiff Records, Dave Robinson demanded that the band add a chorus, to ensure the song was a hit. Upon hearing this, band member Mike Barson immediately wrote the "Welcome to the House of Fun" refrain on his piano.
However, at this point, the song was already recorded, and the management decided not to re-record the whole song. Instead, the recording was edited, and the chorus instruments and vocals dubbed onto the recording. This proved to be difficult, mainly due to technical limitations at the time, and it resulted in the first part of the word "Welcome" being cut off. Due to this, the chorus seemed to begin "Elcome to the House of Fun", so lead singer Suggs was forced to overdub the word "Welcome". Although this proved to be a tough task, it was completed successfully.
Madness,House Of Fun,UK,Deleted,7
As well as the song's single release, it has featured on various compilation albums released by Madness. It was initially included on Complete Madness which also hit number 1 in the UK at the time of the single's release, meaning Madness were at the top of both the single and album charts. The song was then included on the 1992 compilation Divine Madness, which was later reissued as The Heavy Heavy Hits. The song was further included on The Business and It's... Madness. It featured in the Our House Musical, which was based on the band's songs, and as such appears on the accompanying soundtrack, Our House. Furthermore, it was part of the US releases Madness and Ultimate Collection.
File:Madness - House of Fun.jpg
In addition to these releases, the song also features on several "Best of the 80s" albums. In 2010, it was included on the re-release of the band's 1982 album The Rise and Fall, appearing on the second disc along with Driving In My Car, another stand-alone single from around that time. It's b-side Don't Look Back was also included.

Arthur Askey - This Is Your Life (1974)

  

THIS IS YOUR LIFE - Arthur Askey, comedian, was surprised by Eamonn Andrews at Thames TV’s Euston Road Studios.

Eamonn sprung from a Humpty Dumpty outfit to surprise the popular comedian, who was discussing the history of Pantomime with fellow comedians Jimmy Tarbuck and Ted Ray.

Arthur was celebrating 50 years in show business, and had previously been a subject of This Is Your Life in December 1959
  
Arthur recalls his experience of This Is Your Life in his autobiography Before Your Very Eyes, beginning with a reference to his first tribute..."I would not put my This Is Your Life show among the top twenty. But sixteen years later... It is now December 1974. I am asked to do a TV discussion show, talking about pantomime with Ted Ray and Jimmy Tarbuck.

We were surrounded by pantomime animals - the cow, the cat, etc. - and the fairy, when suddenly ‘Humpty Dumpty’ waddles on and throws back the top of the egg. Out pops Eamonn, book in hand, and says (giving an impression of Mike Yarwood), ‘Arthur Askey - for the second time, this is your life.’ 
  
What a star-studded cast I had this time: darling Gracie Fields who had flown in from Capri, Sabrini who had travelled from Hollywood, Val Doonican, Jack Warner, June Whitfield, Dickie Henderson, David Nixon, Kathleen Harrison, Norman Vaughan, Jimmy Jewel, MacDonald Hobley, Barbara Mullen, Cyril Fletcher, Charlie Drake, Peter Butterworth, Jimmy Logan, and Charlie Chester!  Dickie Murdoch was again in South Africa so had to appear on film (ed - telephone actually!), as did Ken Dodd, who spoke from a classroom at the Liverpool Institute.

They also unearthed one of my old colleagues from the Education Offices - Frank Ball, now happily retired, as I would have been had I followed Father’s advice.  And, of course, Anthea appeared with Bill, her husband, and my three darling grandchildren - and, naturally, my sister Rene.

All in all, it was a marvelous thrill for me, only marred by the fact that I could not stay for the orgy afterwards as I had to appear in cabaret at Bournemouth at 11 o’clock.
  

Monday, 19 December 2011

The Adventures of Sherlock Holmes (1939)

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The Adventures of Sherlock Holmes was a 1939 film featuring the characters of the Sherlock Holmes series of books as created by Sir Arthur Conan Doyle. It was the second film to feature Basil Rathbone as Holmes and Nigel Bruce as Doctor Watson, the final one they would make for 20th Century Fox, and the final one in the Rathbone/Bruce series to be set in the Victorian London period. The further 12 films made by Universal and starring Rathbone/Bruce would take place in contemporary times (i.e. the 1940's). George Zucco appeared as Holmes's nemesis Professor Moriarty.  In Britain, the film was originally released under the shorter title Sherlock Holmes.


The film begins with Moriarty and Holmes verbally sparring on the steps outside the Old Bailey where Moriarty has just been acquitted on a charge of murder due to lack of evidence. Holmes remarks, "You've a magnificent brain, Moriarty. I admire it. I admire it so much I'd like to present it, pickled in alcohol, to the London Medical Society". "It would make an impressive exhibit", replies Moriarty.
Later Holmes and Watson are visited at 221B Baker Street by Ann Brandon (Ida Lupino). She tells him that her brother Lloyd has received a strange note - a drawing of a man with an albatross hanging around his neck - identical to one received by her father just before his brutal murder ten years before. Holmes deduces that the note is a warning and rushes to find Lloyd Brandon. However he is too late, as Lloyd has been murdered by being strangled and having his skull crushed.
Holmes investigates and attends a garden party, disguised as a music-hall entertainer, where he correctly believes an attempt will be made on Ann's life. Hearing her cries from a nearby park he captures her assailant, who turns out to be Gabriel Mateo, out for revenge on the Brandons for the murder of his father by Ann's father in a dispute over ownership of their South American mine. His murder weapon was a bolas. Mateo also reveals that it was Moriarty who urged him to seek revenge. Holmes realises that Moriarty is using the case as a distraction from his real crime, a crime that will stir the British Empire - an attempt to steal the Crown Jewels. Holmes rushes to the Tower of London to prevent the crime, and during a struggle Moriarty falls, presumably to his death. In the end, Ann is married and Holmes tries to shoo a fly by playing his violin, only to have Watson swat it with his newspaper remarking, "Elementary, my dear Holmes, elementary."
The quote "Elementary, my dear Watson" was made popular by this film. Although it was spoken in the 1929 talkie The Return of Sherlock Holmes, starring Clive Brook, it was never featured in a canonical Arthur Conan Doyle story story; although once Holmes said, in "The Adventure of the Crooked Man", "Elementary". The quote "Elementary, my dear Watson" was ranked No. 65 in the AFI's 100 Years... 100 Movie Quotes poll.
During the scene in which Holmes crashes the garden party dressed as a music hall performer, he sings "I Do Like To Be Beside the Seaside". This is an anachronism, since the film is set in 1894, but the song was written in 1907.
The scene in which Holmes experiments with the flies in the glass while playing the violin is recreated in the 2009 film Sherlock Holmes.

Sunday, 18 December 2011

Countdown: UFO (1971) Part Two - The Picture Strip: Part Four


The New Boss:
Part 1:  Issue 12: 8th May 1971.
A UFO reaches Earth and manages to strike General Henderson's car as he is returning from vacation in America, causing a crash and injuring him.  Henderson's replacement at an International Astrophysical Commission meeting is General Calper, who accompanies Straker in a ShadAir jet.  Calper is unsympathetic towards SHADO but in flight is sighted homing in on them.
UFO issue 10
Part 2:  Issue 13: 15th May 1971.
Straker calls on Skydiver for assistance and Sky 1 homes in but not before the UFO is able to fire on the ShadAir Jet.  Calper is slightly injured but the jet crew still make it to New York for the conference.  A recovered Calper addresses the delegates and tells them he believes SHADO is no longer competent in defending Earth and calls for investigation of Straker and the organisation.

Part 3:  Issue 14: 22nd May 1971.
The Commission agrees that a detailed investigation will help assist budget reviews and Straker is ordered to co-operated fully.  The Commander takes Callper back to SHADO Headquatres and gives him a full tour including a captured Alien space suit, but the General is undeterred in his opinions even when overcome with a dizzy spell.  Stating it is better the public know, Calper intends to broadcast to the nation and pulls a gun on Straker.  With little choice, Straker overcomes him, but in a Military organisation this is a court martial offence!  

Part 4:  Issue 15: 29th May 1971.
Straker escapes in a racing car that is being used for one of the studio films and Calper calls on both SHADO and Civil Police to catch him.  Out in the country, Straker is able to lose the Police and doubles back to Paul Foster's apartment to get help, but Foster is waiting in a SHADO Mobile.
UFO issue 10
Part 5:  Issue 16: 05th June 1971.
Foster disobeys orders from Calper to open fire and confronts Straker, who tells him of the General's plans.  Realising something is wrong, Foster joins Straker, who believes Calper may have come under an Alien influence.  Meanwhile, Alec Freeman has been replaced by Calper's aide, Crawford.  Freeman is also suspoicious and contacts Straker & Foster in their  mobile.  They arrange to meet in the ruins of a house destroyed by a UFO months earlier but en-route they encounter another Mobile driven by Crawford!
Part 6:  Issue 17: 12th June 1971.
The battle is short, with Foster forcing Crawford off the road and driving through a Police cordon.  At the ruin rendezvous with Alec Freeman, they discover Calper had hypnosis during recent dental treatment and think this may have made him open to outside influence.  Recalling Calper's dizzy spell when seeing the Alien suit, Straker hatches a plan and Freeman returns to SHADO.  Later, Calper is en-route to the television studio to make his broadcast when a Mobile blocks their way.  As his guards pull their weapons, an Alien approaches.
Part 7:  Issue 18: 19th June 1971.
The Alien commands Calper to stop the guards and the General barks an order.  Watching from the Mobile, Foster & Freeman realise Straker - dressed in the Alien spacesuit - was correct.  But a UFO is homing in and eliminates Calper before being destroyed by Sky 1.  Returning to SHADO Headquaters, Straker believes the Aliens knew the plan had failed and destroyed Calper to prevent how they controlled him being discovered.  Back at the Astrophysical Commission,  Straker's budget increase is granted.
UFO issue 10

Saturday, 17 December 2011

Roger Moore & Tony Curtis are The Persuaders (1971)

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I was a young boy of 5 when ITV first screened the Persuaders. I was a huge fan of Roger Moore's even then and The Persuaders has remained my all time favourite television series. They just simply do not make them like this any more.
The Persuaders! was an action/adventure series, produced by ITC Entertainment for initial broadcast on ITV and ABC in 1971. It has been called "the last major entry in the cycle of adventure series that had begun eleven years earlier with Danger Man in 1960", as well as "the most ambitious and most expensive of Sir Lew Grade's international action adventure series".
Despite its focus on the British and American markets, the show was popular elsewhere. It won its highest awards from Australia and Spain while Roger Moore and Tony Curtis were decorated in Germany and France for their acting. It persists in the memory of European filmmakers and audiences, having been casually referenced in 21st century productions from Sweden, France, Britain and Germany.
The Persuaders starred Tony Curtis as Danny Wilde, and Roger Moore as Brett Rupert George Robert Andrew Sinclair, 15th Earl of Marnock, referred to through most of the series by his courtesy title of Lord Brett Sinclair, two international playboys. Much of the humour of the show derived from playful observations about the differences between British and American customs. The show ended after one season, in consequence of failing to make an impact on US TV, thereby releasing Roger Moore to star in the popular Bond films. Roger Moore had been directly involved in the production of the series, and the need for an American co-star was deemed by all imperative to ensure a television release in the USA. An overture to Rock Hudson was rejected, as it was by second choice Glenn Ford. A list of candidates was then sought from ABC America. Tony Curtis agreed to the series project and flew into England in April 1970 to commence location filming, only to create headlines of a different type by way of his arrest at Heathrow Airport for possession of cannabis. He was fined £50.
The Persuaders! are two equally-matched men from different backgrounds who reluctantly team together to solve cases which the courts cannot.
  • Danny Wilde (Tony Curtis) is a rough diamond, educated and moulded in the back slums of New York City, who escaped by enlisting in the U.S. Navy. He later became a millionaire in the oil business. (Curtis himself suffered a tough childhood in the Bronx, and served in the US Navy. He was 46 when he made The Persuaders, but performed all his own stunts and fight sequences.)
  • Lord Brett Sinclair (Roger Moore) is a polished Harrow and Oxford educated English aristocrat; a former British Army officer and an ex-racing car driver, who addresses his comrade-in-arms as "Daniel".
Now globe-trotting playboys, the men meet on holiday in the French Riviera, instantly disliking each other and destroying a hotel bar with their fist-fight. Arrested, they are delivered to retired Judge Fulton (Laurence Naismith) who offers them the choice of spending ninety days in jail or helping him right errors of impunity. Grudgingly, Wilde and Sinclair agree to help solve Fulton's initial case. He then releases them from any threat of jail.
The men develop a sparing affection for each other, and are soon stumbling into more adventures: sometimes by chance, sometimes due again to Judge Fulton. Although the Judge recurs in the series, he has no formal relationship with his two agents. Several episodes depict his finding a way to convince Wilde and Sinclair to act on his behalf. For instance, in "Angie, Angie" he easily convinces one of the pair. In "The Man in the Middle" he endangers his agents, so that they must act in his behalf. When they are short of cash, he lures them with money. In "Powerswitch" he manipulates events from the shadows, with Sinclair and Wilde not knowing of the Judge's involvement.
In episode 12, "That's Me Over There", it appears that Sinclair has had a longstanding interest in crime-fighting, as he has had installed a dedicated telephone line for an informer on a master criminal. In episode 17, "Five Miles to Midnight", he tells Joan Collin's character that he personally works for the Judge because it has given him something worthwhile to do after his failed motor racing career; Wilde never reveals nor explains his reasons.
The Persuaders titles and synthesiser theme, by John Barry establish the background and current identities of the protagonists via split-screen narrative technique: two folders, one red, one blue, labelled Danny Wilde and Brett Sinclair simultaneously narrate their lives. As the biographies approach their current ages, a series of four short sequences combine live footage with torn newspaper clippings, connoting their excitingly peripatetic lifestyles. The conclusion shows them together enjoying a life of sport, drink, women, and gambling. The titles were specifically designed so that neither actor would appear to have top billing, something both Moore and Curtis stipulated when they agreed to co-star.
The title sequence retains a cinematic technique cachet among professional film editors. In 1995, Peugeot released an advertisement for the 306 car, with the theme of the opening title sequence, the split screen process and even the voice of Michel Roux, who dubbed Tony Curtis in the original series. In 2007, France 2 satirically used it to introduce a report about relations between the newly-elected French President Nicolas Sarkozy and his first Prime Minister Francois Fillon Moreover, the same channel reprised the satire for the 13 October 2007 episode of On n'est pas couche about the strained relationship between McLaren Formula One drivers Lewis Hamilton and Fernando Alonso.
Both Brett Sinclair & Danny Wilde drive signature cars: Danny Wilde drives a Red left-hand-drive Ferrari Dino 246 GT, Brett Sinclair drives a UK-registered Bahama Yellow right-hand-drive Aston Martin DBS with V8 wheels and markings. As with Simon Templar (Roger Moore's character from The Saint television series), Lord Brett Sinclair's car has Personalised number plates of his initials; Templar’s were “ST 1”, Sinclair’s are “BS 1” (Except for one scene in the episode "The Gold Napoleon" where the car had its original UK registration number PPP 6H instead). In fact, the true owner of the plates at the time, Billy Smart Jr permitted their fictional use. The Aston Martin from the show was sold by the factory after filming ended, via HR Owen in London, to its first private owner. It was restored to a very high standard in recent years by the Aston Martin factory and is still in private ownership in the UK. Danny Wilde’s car bears Italian registration plates, 221400.MO (the 'MO' component represents the city of Modena, which happens to be the headquarters and manufacturing base of Ferrari). The exact whereabouts of the Dino today is unknown but it is reliably believed to be alive and well in Italy with a private owner.
The concept of The Persuaders originated in one of the final episodes of The Saint titled "The Ex King of Diamonds", wherein Simon Templar (Moore) is partnered with a Texas oilman (Stuart Damon) in a Monte Carlo gambling adventure. Liking that combination, Robert S. Baker and Lew Grade funded a new series. Unusually, production of the series began and continued without contracts among the producers and Moore. Moreover, Moore's role as producer is not obvious from watching the series, but Curtis confirmed the fact: "Roger was always like the host with the show, because it was his company that was producing it. I would say he was the largest independent owner of it; Roger and his company owned it with Bob Baker, and Sir Lew owned the rest of it."
At the time, the twenty-four episode The Persuaders! was the most expensive British television series produced, each episode costing £100,000, ( 2007:£1,800,000 ) for location filming in France, Spain, Sweden, and Italy, and star salaries. One of the series' unusual production aspects was that Roger Moore was — officially and practically — his own wardrobe artist, stemming from genuine sartorial interest and marketing his line of clothes by the Pearson and Foster firm.
There has been much speculation over the years concerning the professional relationship between Roger Moore and Tony Curtis on- and off-set. In her autobiography, Second Act, Joan Collins detailed how they did not get along when she was a guest star. She cited Curtis's foul temper for why the set of the "Five Miles to Midnight" episode was tense. Episode director Val Guest, in a 2005 interview to the British Film Institute confirmed Collins's assessment of Curtis:
Yes, it was great fun doing The Persuaders, despite Tony Curtis. [laughter] I'll tell you a funny story about that:
"Tony was on pot at the time, and I used to have to say 'Oh, go and have a smoke'm', because he always had some gripe of some kind, and, one day, we were shooting on the Croisette, in Cannes, and we’d been roped off our little thing, and there were crowds all around watching us film and everything, and Tony Curtis came down to do his scene and he was just carrying on at the wardrobe saying, 'You didn’t do this, and you should have done that... and in Hollywood you would have been fired....' And dear Roger Moore walked over, took him by the lapels, looked him straight in the eyes and said, 'And to think those lips once kissed Piper Laurie'. [laughter] Well, the whole of the Croisette collapsed, the unit collapsed, and, I must, say even Tony had to laugh, but we were asked to do another... we got the award that year for the best TV series, I think it was, and they wanted to do a repeat, and I remember Roger saying, 'With Tony Curtis, not on your life', and he went on to become James Bond, so he did all right."
—Val Guest, Director
In his autobiography, Still Dancing, Lew Grade notes that the actors "Didn't hit it off all that well", because of different work ethics. Despite third-party claims, Curtis and Moore consistently maintained they had an amicable working relationship. Moore says: "Tony and I had a good on- and off-screen relationship, we are two very different people, but we did share a sense of humour".
In a 2005 interview, Curtis referred to Moore with affection and revealed he would not participate in a remake of The Persuaders! without Moore.
Lew Grade was always keen to break into the American TV market, which is why he kept coming up with series featuring American actors (Man in a Suitcase, The Champions, The Baron). Failure to do so would often lead to cancellation. But The Persuaders made little impact in the US, where it aired opposite Mission Impossible on Saturday nights. It was very much a case of "mission impossible" for the British series to "persuade" audiences to switch over despite the fact that Impossible was itself not in the top 30 of all programs in 1971. The show was pulled by ABC before all 24 episodes were shown.
Four pairs of episodes from the series were re-edited into four individual TV movies for the ITC American market, entitled The Switch, Mission: Monte Carlo, Sporting Chance and London Conspiracy. A fifth episode pairing was planned, simply entitled The Persuaders, but never completed. This format, too, did little to spark American interest.
In Britain the show fared much better, placing easily in the top 20 of all shows in 1971.
The series' popularity in Britain earned it re-runs on Channel 4, Granada Plus, Bravo and ITV4 in the 1990s and 2000s. When the pilot episode Overture was screened as part of Channel 4's nostalgia strand TV Heaven in 1992, that series' host, comedy writer Frank Muir, said in a Radio Times interview that The Persuaders "must have been the best bad series ever made... absolute hokum". However, BBC Radio 5 presenter Dave Aldridge later asked: "Was seventies TV really this good?"