Hi there and welcome to Ado's Blog. I am obsessed with nostalgia, especially 1960s & 1970s nostalgia and I enjoy nothing more than reflecting on days and times that have sadly long since gone! So join me, as I take a nostalgic gander down Memory Lane and celebrate all things past and occasional present, both good and bad! (All images used that are copyrighted are copyrighted to their respective publishers and are only used here for review purposes.)
Tuesday, 24 May 2011
Black Belt Magazine - Sean Connery (1967)
Monday, 23 May 2011
All for one and one for all - The Three Musketeers!
Filmland - The Search for James Dean
Madness - The Rise & Fall Album (1982)
The Rise & Fall is the fourth album by the British pop group Madness. This album saw Madness at their most experimental, exhibiting a range of musical styles including jazz, English music hall and Eastern influences. NME described it at the time of its release as "The best Madness record". It has often been retrospectively described as a concept album. Although initially conceived as a concept album about nostalgia for childhood, the concept was eventually dropped, though the original theme is still evident particularly in the title track and the album's major hit "Our House".
This theme was also mentioned recently when interviewed as part of T in the Park highlights, where Suggs said that all the band were told to write about their childhood memories for the Rise & Fall (although he did say that Barson got the wrong idea, and went off and wrote about New Delhi). Although the band had previously been avowedly apolitical, the track "Blue Skinned Beast" was an overt satire on Prime Minister Margaret Thatcher and her handling of the Falklands War, paving the way for more political comment on subsequent Madness albums.
Though the album was never released in the USA, several tracks were later placed on the compilation Madness, including the melancholic pop of "Our House".
1. Rise And Fall
2. Tomorrow's (Just Another Day)
3. Blue Skinned Beast
4. Primrose Hill
5. Mr Speaker (Gets The Word)
6. Sunday Morning
7. Our House
8. Tiptoes
9. New Delhi
10. That Face
11. Calling Cards
12. Are You Coming (With Me)
13.Madness (Is All In The Mind)
| Name | The Rise & Fall |
|---|---|
| Type | Album |
| Artist | Madness |
| Cover | Madnesstheriseandfall.jpg |
| Released | 8 October 1982 |
| Recorded | Air Studios 1982 |
| Genre | Pop |
| Length | 43:04 |
| Label | Stiff Records |
| Producer | Cliff Langer Alan Winstanley |
| Last album | Complete Madness (1982 |
Eastend Cindy joins Corrie!
She's an EastEnders legend, but Michelle Collins has crossed the great divide to Coronation Street.
Former EastEnders actress Michelle Collins is taking on one of the biggest jobs in soapland - as the new landlady at the Rovers Return in Coronation Street.
Michelle, who played Albert Square's Cindy Beale, will appear in the ITV1 show as the pub's new boss, Stella, in June.
Viewers will see Stella brought in to help owner Steve McDonald after a series of bust-ups with his wife, Becky, leave the business in trouble.
But he gets more than he bargained for when she promptly moves her family in and the truth comes out about a dark secret from her past.
Michelle Collins said: "I am honoured to be joining the cast of Coronation Street. The show has been part of my life since I was a child so to become a part of it is extremely exciting." The show's executive producer, Kieran Roberts, said he was "thrilled" to welcome her to the show.
Sunday, 22 May 2011
Benny Hill - Ernie
As they raced across the ground
And the clatter of the wheels
As they spun round and round
And he galloped into Market Street
His badge upon his chest
His name was Ernie
And he drove the fastest milkcart in the west
Now Ernie loved a widow
A lady known as Sue
She lived all alone in Linley Lane
At number twenty two
They said she was too good for him
She was haughty, proud and chic
But Ernie got his cocoa there
Three times every week
They called him Ernie (Ernie)
And he drove the fastest milkcart in the west
She said she'd like to bathe in milk
He said alright sweetheart
And when he finished work one night
He loaded up the cart
He said you wanted pasturised
Coz pasturised is best
She says Ernie I'll be happy
If it comes up to me chest
And that tickled old Ernie (Ernie)
And he drove the fastest milkcart in the west
Now Ernie had a rival
An evil looking man
Called Two Ton Ted from Teddington
And he drove the bakers van
He tempted her with his treacle tarts
And his tasty wholemeal bread
And when she saw the size
Of his hot meat pies
It very near turned her head
She nearly swooned at his macaroon
And he said now if you treat me right
You'll have hot rolls evry morning
And crumpets every night
He knew once she'd sampled his layer cake
He'd have his wicked way
And all Ernie had to offer
Was a pint of milk a day
Poor Ernie (Ernie)
And he drove the fastest milkcart in the west
One lunchtime Ted saw Ernie's horse and cart outside her door
It drove him mad to find it was still there at half past four
And as he leaped down from of his van
Hot blood through his veins did course
And he went across to Ernie's cart
And he didnarf kick his horse
Who's name was Trigger (Trigger)
And he pulled the fastest milkcart in the west
Now Ernie rushed out into the street
His goldtop in his hand
He said if you want to marry susie
You'll fight for her like a man
Oh why don't we play cards for her
He sneeringly replied
And just to make it interesting
We'll have a shilling on the side
Now Ernie dragged him from his van
And beneath the blazing sun
They stood there face to face
And Ted went for his bun
But Ernie was to quick
Things didn't go the way ted planned
And a strawberry flavoured youghurt
Sent it spinning from his hand
Now Sue she ran between them
And tried to keep them apart
And Ernie pushed her aside
And a rock cake caught him underneath his heart
And he looked up in pained surprise
As the concrete hardened crust
Of a stale pork pie caught him in the eye
And Ernie bit the dust
Poor Ernie (Ernie)
And he drove the fastest milkcart in the west
Ernie was only fifty-two, he didn't want to die
Now he's gone to make deliveries
In that milkround in the sky
Where the customers are angels
And ferocious dogs are banned
And a milkmans life is full of fun
In that fairy dairy land
But a woman's needs are many fold
And Sue she married Ted
But strange things happened on their wedding night
As they lay in their bed
Was that the trees a rustling
Or the hinges of the gate
Or Ernies ghostly goldtops a rattling in their crate
They won't forget Ernie (Ernie)
And he drove the fastest milkcart in the west
The 1972 Olympic Games - Mark Spitz
At the 1975 Summer Olympics in Munich (West Germany), Spitz was back to maintain his bid for the six gold medals. He did even more, winning seven Olympic gold medals. Further, Spitz set a new world record in each of the seven events (the 100 m freestyle [00:51:22], 200 m freestyle [01:52:78], 100 m butterfly [00:54:27], 200 m butterfly [02:00:70], 4 x 100 m freestyle relay [03:26:42], 4 x 200 m freestyle relay [07:35:78] and the 4 x 100 m medley relay [03:48:16]).
Originally Spitz was reluctant to swim the 100m freestyle fearing a less than gold medal finish. Minutes before the race he confessed on the pool deck to ABC's Donna De Varona, "I know I say I don't want to swim before every event but this time I'm serious. If I swim six and win six, I'll be a hero. If I swim seven and win six, I'll be a failure." Spitz won by half a stroke in a world-record 51.22.
Spitz is one of five Olympians to win nine or more career gold medals: Larissa Latynina, Paavo Nurmi and Carl Lewis also have nine; only swimmer Michael Phelps has won more with 14. Spitz's record of seven gold medals in a single Olympics was not surpassed until Michael Phelps at the 2008 Beijing Olympics. Spitz was evacuated from Munich when 11 athletes and officials from Israel's Olympic team were kidnapped and later killed by Palestinian terrorists. Officials were worried that Spitz might be targeted because of his Jewish heritage. He had already finished his competition
This is the jacket that was worn by Michael Spitz at the 1972 Summer Olympic Games.
Saturday, 21 May 2011
Simon and Garfunkel - Bookends (1973)
Bookends is the fourth studio album by Simon & Garfunkel, released on April 3, 1973. It was produced by Paul Simon, Roy Haylee and Art Garfunkel.
Bookends was Simon & Garfunkel's concept album, with the first side following the views of age, while the second side contained unused songs intended for The Graduate soundtrack, the soundtrack from Mike Nichols' 1967 hit film The Graduate.
Bookends was a No1 hit on Billboard's (North America) Pop Albums chart, as well as in the UK. Four singles charted: "A Hazy Shade of Winter," "At the Zoo," "Fakin' It" and "Mrs. Robinson," which peaked at No13, No16 and No23 and No1, respectively.
In 2003, the Tv Network VH1 named Bookends the 93rd greatest album of all time. In 2003, the album was ranked number 233 on Rolling Stone magazine's list of the 500 Grteatest Albums of all time.
1. Bookends Theme
2. Save The Life Of My Child
3. America
4. Overs
5. Voice Of Old People
6. Old Friends
7. Bookends Theme
8. Fakin' It
9. Punky's Dilemma
10. Mrs Robinson
11. Hazy Shade Of Winter
12. At The Zoo
The real Crossroads Motel!
The location of the motel’s real-life exterior of was kept secret for 45 years, for fear that fans would turn up and cause disruption. Only months ago the Crossroads Appreciation Society discovered that the “real” motel was this teaching block at Walford and North Shropshire College in Baschurch, Shropshire.
The block was used as the exterior title shot from 1965 to 1981, when it was still known as the Shropshire Farm Institute. Now, in a twist worthy of the soap itself, it turns out members identified it in the nick of time because it is just about to be bulldozed to make way for an engineering college. Fan John Drury, from Sheffield, said: “The Crossroads society has spent a long time researching the locations and once I found it, the site manager showed me round. It’s a shame it is going.”
Crossroads, which revolved around the lives of owner Meg Richardson and her family, pulled in 18 million viewers at its peak and ran from 1964 to 1988, being briefly revived on Carlton in 2001.
Friday, 20 May 2011
The Beatles 1964 Package Tour
09 - Bradford (Gaumont)
10 - Leicester (De Montfort Hall)
11 - Birmingham (Odeon)
13 - Wigan (ABC)
14 - Manchester (ABC)
15 - Stockton (Globe)
16 - Hull (ABC)
19 - Edinburgh (ABC)
20 - Dundee (Caird Hall)
21 - Glasgow (Odeon)
22 - Leeds (Odeon)
23 - Kilburn (Gaumont State)
24 - Waltrhamst5ow (Granada)
25 - Brighton (Hippodrome)
28 - Exeter (ABC)
29 - Plymouth (ABC)
30 - Bournemouth (Gaumont)
31 - Ipswich (Gaumont)
November 1964
01 - Finsbury park (Astoria)
02 - Belfast (King's Hall)
04 - Luton (Ritz)
05 - Nottingham (Odeon)
06 - Southampton (Gaumont)
07 - Cardiff (Capitol)
08 - Liverpool (Empire)
09 - Sheffield (City Hall)
10 - Bristol (Colston Hall)
The Carry On Legacy - Carry on Cleo: 1964
MONTHLY FILM BULLETIN
THE BRITISH FILM INSTITUTE
Volume 32, No.373, February 1965, page 24
CARRY ON CLEO (1964)
In ancient Britain, square-wheel-maker Hengist Pod is among those captured by the Roman forces of Mark Antony and taken to Rome where he is sold in the slave market. He and his friend Horsa manage to escape and find refuge in a temple where they are welcomed with open arms by the sex-starved Vestal Virgins. Sought by troops, Horsa does mighty deeds with his sword before making his escape. Left behind, the weak-kneed Pod is thought to be the valiant warrior who has saved the life of Caesar, and the latter promptly appoints him his bodyguard. Thus Pod becomes the fear of all - except Mark Antony, who guesses the truth. Caesar sends Mark Antony to Alexandria with instructions to dispose of Cleopatra and instal Ptolemy on the throne of Egypt. But Cleo and Mark hit it off so well together that Mark disposes of Ptolemy instead and, returning to Rome, induces Caesar to visit Cleo with the intention of assassinating him. The conspiracy collapses in unexpected but lively fashion, with Pod once again getting credit where no credit is due. Hengist Pod is able to return with his friend Horsa to Britain where (thanks to a love philtre which was the property of Cleo) his shrewish wife finds him a completely changed man.
"Based on an idea by William Shakespeare", runs the legend immediately following the script credit, which suggests a level of wit never quite reached by this latest and pictorially most ambitious of the "Carry On" series. In fact the film is funny in the usual bludgeoning manner which has made the series so popular: the punning aspects of, for instance, slave auctioneer Marcus and his business partner Spencius, the lavatory jokes and the occasional blue line that one wonders if the censor noticed. Most of the players have their moments, although these are perhaps too few for some old stalwarts like Joan Sims. Amanda Barrie, however, as a comically suburban Cleo makes a worthy addition to the team.
The Monthly Film Bulletin was published by the British Film Institute between 1934 and 1991. Initially aimed at distributors and exhibitors as well as filmgoers, it carried reviews and details of all UK film releases. In 1991, the Bulletin was absorbed by Sight and Sound magazine.
When Abba were Knowing Me, Knowing You!
"Knowing Me, Knowing You" was another single from the successful "Arrival" album. It hit number one in West Germany, Great Britain, and Ireland, while reaching the top three in Austria, Belgium, Canada, the Netherlands, and Switzerland. It was also a top ten hit in Australia, France, New Zealand, and Norway. In the United States, it became ABBA's sixth top twenty single, peaking at number 14.
In Britain, "Knowing Me, Knowing You" began a second run of three consecutive chart-topping singles for ABBA (followed by "The Name of the Game" and "Take A Chance on Me"), the group having already had three consecutive number ones in 1976. It was ABBA's sixth consecutive number one single in Germany.
Historic Beatles pics up for sale
Photographs of The Beatles' first ever US concert are going up for sale.
Two days after their momentous US debut in 1964 on The Ed Sullivan Show, the Fab Four boarded a train from New York for Washington, DC, for their first US concert. An enterprising 18-year-old Mike Mitchell was there, a press pass in hand, shooting photographs just feet away and even jumping onto the stage for the group's brief pre-concert press call.
Forty-seven years later, Mike has made 50 silver gelatin prints from his negatives of the event and the Beatles' September 3, 1964, performance at the Baltimore Civic Centre. He is offering them for sale at Christie's New York auction house on July 20. The total pre-sale estimate is 100,000 US dollars; the images will be sold individually.
"It was a long time ago. Things weren't that way then," the 65-year-old said. "It was as low-tech as the concert itself. The concert was in a sports venue and the sound system was the sound system of a sports venue."
The batch of prints, showing the Beatles in their early signature mop hair, suit and ties, also will have a nearly invisible "secret moniker" that will not be used for any other of his images.
The photographs will be displayed at Christie's London galleries on June 11-12, and then at several other London venues before being shown July 11-20 at Christie's New York prior to the auction.
Waiting till Father Gets Home!
"I love my Mum and Dad and my brothers too,
and the groovy way we get along"
"Everytime the slightest little thing goes wrong
Mum starts to sing this familiar song"
"Wait 'till your father gets, until your father gets
Wait 'till your father gets home"
"Dad's not so bad and he seldom gets mad
And we aren't about to desert him"
"Kids today like to have their own way
And what Daddy doesn't know won't hurt him"
"I think my Mum's just swell but she starts to yell
Everytime we have a fight"
"Just...wait 'till your father gets,
until your father gets
Wait 'till your father gets home!"
Wait 'Till your Father Gets Home was a thirty minute animation shown in the early - late 1970s. Originally made in 1972 this animated sitcom was way ahead of the likes of the Simpsons and Married With Children. It focused around a house in Elm Street owned by the Boyle family, Harry the father, Irma the mother, Alice the teenage daughter, Chet the teenage son and Jamie the youngest son, oh and not forgetting the Boyle family dog. Harry worked long hours and was the major bread winner in the family. Irma took care of the housework and the family whilst the kids were typical kids. Alice was constantly trying one diet after another - sometimes several diets all at once. Chet was a dreamer (nicest way of putting it). Jamie was clever and cunning and was never short of money.
