Countdown - Doctor Who (1971)

This edition of the cult comic Countdown was number 3 in the series and dates back to 1971. On the cover is the third and best Doctor Who portrayed by Jon Pertwee. The picture strips are from the classic sci-fi series UFO.

Fozzie - The Bear Facts: Remembering the Muppets resident Comedian!

The great Fozzie Bear the legendary Muppet, created by Jim Henson was an orange, particularly fuzzy bear who worked as a stand-up comic and whose catchphrase, "Wocka Wocka!". shortly after telling the joke, he is usually the target of rotten tomatoes and ridicule, especially from hecklers Statler and Waldorf. He wears a brown Pork pie hat and a red and white polka-dot necktie...........
He was originally performed by puppeteer Frank Oz, although in recent years he has been performed by Eric Jacobson. In Jim Henson's Muppet Babies, his voice was provided by Greg Berg, who also voiced Baby Scooter. Berg also voiced him in the ill-fated Little Muppet Monsters. Massahi Ebara voiced the character on the Japanese productions.

Though it is often believed Fozzie's name is a play on Frank Oz (F.Oz), he was actually named after Faz Fazakas, the person who created the mechanism that allowed Fozzie to wiggle his ears.

Fozzie Bear (Fa-zee) was originally Oz's main character. The popularity of Miss Piggy overtook Fozzie's, but he remained popular. One of his largest roles ever was in A Muppet Family Christmas, where he took all of his friends to his mother's farm for Christmas.

In 1988, a video titled Hey, You're as funny as Fozzie Bear! was released, and was intended to help kids develop comedic talent.

During the 1990s, his roles became much smaller, due to the fact that Oz had turned his focus to directing non-Muppet films and reduced his time with the Muppets. Fozzie was only a supporting character in the Muppet films of that decade, and only appeared in six episodes of Muppets Tonight. However, he returned to prominence when Eric Jacobson took over beginning with It's a Very, Merry Muppet Christmas, in which Fozzie was the focus of a number of scenes.

The character now belongs to The Muppets Studio, a subsidiary of the Walt Disney Company, after Disney bought the franchise from The Jim Henson Company. The original puppet is kept in the teddy bear museum in Stratford-Upon-Avon, founded by Gyles Brandreth.

Fozzie's mother Emily Bear (performed by Jerry Nelson) appeared in A Muppet Family Christmas special. To Fozzie's surprise, she was friends with Statler and Waldorf, despite the heckling they inflict on him. In The Great Muppet Caper, Kermit the Frog and Fozzie are questionable news reporters and apparently twin brothers. Fozzie also has a cousin who appeared in the first season of The Muppet Show, also performed by Frank Oz. In the Muppet Movie Fozzie makes reference to his uncle, whose Studebaker he traded in while his uncle was hibernating.

His cousin is an audience member. In one episode of the Muppet Show he begged the other audience members not to insult his cousin Fozzie.

Since the early days of The Muppet Show, Fozzie has often interacted with Kermit as he is Kermit's best friend. Fozzie got Kermit to reluctantly assist him for one of his best-known monologues, "Good Grief! The Comedian's a Bear!", and has also had quite a bit of interaction with Kermit backstage.

In Episode 115, Fozzie constantly annoys Kermit with a running gag, delivering a number of pun items, such as a "wire" and a "letter" for Kermit the Frog which turned out to be a clothes wire and the letter R, respectively.

Another running gag is Fozzie's hat — as a bear, he is naturally covered with fur, all over. However, upon removing his hat, it is clear that his head shape is modeled on the pate of a bald headed man — thus, the juxtaposition of being both furred and bald simultaneously. This was referenced in the 2011 film The Muppets, where he saw an old picture of himself at the Muppet Theater and ridiculed the "'80s haircut" he sported back then.

Kermit and Fozzie have also frequently been paired together in countless movies, books, and specials. In The Muppet Movie, Fozzie is the first Muppet that Kermit meets on his journey. After Fozzie's unsuccessful comedy performance at the El Sleezo Cafe, Kermit invited Fozzie to come to Hollywood with him. The two friends sing the duet "Movin' Right Along" in the film. Several episodes show Fozzie as dedicated to Kermit, usually responding to his instructions with a chipper "Yes sir." On those rare occasions when Kermit must be away from the theater, he invariably leaves Fozzie in charge of the show, although he equally invariably regrets it.

Fozzie was also frequently teamed up with Rowlf the Dog. In Episode 101, Fozzie plays a western bandit to Rowlf's role as a western hero. Fozzie also appeared in two Veterinarian's Hospital sketches, in which Rowlf starred as Dr. Bob.

In Episode 218, Rowlf learns that Fozzie could play the piano, and they play the piano together in a performance of "English Country Garden". Rowlf has also played back-up to Fozzie's renditions of "Hi Diddle-Dee-Dee (An Actor's Life for Me)" and "I've Got a Rythm". During the latter number, Rowlf attempts to help Fozzie with his singing but is finally reduced to changing the hapless bear's lyrics to "I Don't Got Rhythm." The young incarnations of Fozzie and Rowlf are also frequently paired together on Muppet Babies.

In the first season of The Muppet Show, the show's opening featured Fozzie telling a joke during an instrumental portion of the theme song. Fozzie was often featured in a sketch where he did a comedy monologue, in which Statler and Waldorf would heckle him (he was their favorite victim). In the second season, Fozzie's comedy routines often had gimmicks such as ventriloquism or performing on roller skates. As the series progressed, he did fewer comedy routines, becoming more involved in the show as a whole. He also preformed as a magician occasionally.

Occasionally, Fozzie uses Jewish Humour on the show, presumably because of Frank Oz's Jewish ancestry. For example, "The Telephone Pole Bit" included a reference to Frank Oz's Polish Jewish father, and in Fozzie's magic act, he pulls a rabbi out of his hat.

Though his main job was to be the show's comedian, he has had a number of other roles on The Muppet Show. He sang and danced in many musical numbers, and frequently acted in sketches (most famously his recurring sketch Bear On Patrol where he plays an unlucky police officer). He also often helps backstage and even attempts to plan out the show in one episode, and write the script in another.

The Bay City Rollers - Wouldn't You Like It? (1975)

Wouldn't You Like It? was the third studio album to be released by the Scottish pop group, Bay City Rollers. The LP, issued in the UK in late 1975, saw a marked change in the group's musical direction: all the songs save one were the band's own compositions. The one outside-written tune, "Give a Little Love", was a smash UK hit, and the only single released from the album..........

The album also included, in the form of a giant letter, a free color picture book of the individual members, with a band picture on the front.........
Seven of the tracks from the album would appear on Arista Records' 1976 US-only album, Rock N' Roll Love Letter using the same cover photo and artwork.

Side one
No.	Title	Lead vocals	Length
1.	"I Only Wanna Dance With You"	Les Mckeown	2:59
2.	"Don't Stop the Music"	McKeown	2:49
3.	"Shanghai'd in Love"	Faulkner	3:29
4.	"Love Is..."	McKeown	2:38
5.	"Maybe I'm a fool to love you"	McKeown	3:55
6.	"Too Young to Rock & Roll"	McKeown	2:17

Side two
No.	Title	Lead vocals	Length
1.	"Give a Little Love"	McKeown	3:28
2.	"Wouldn't You Like It?"	McKeown	3:14
3.	"Here Comes That Feeling Again"	Alan Longmuir	3:41
4.	"Lovely to See You"	McKeown	3:57
5.	"Eagles Fly"	McKeown	3:04
6.	"Derek's End Piece"	Instrumental, Spoken Outro:Derek Longmuir	2:34

Radio Times - Top Of The Pops (1969)

Back to the end of the swinging sixties with this edition of the Radio Times from 1969 advertising the classic pop series, Top Of The Pops.

Foggy Dewhurst - We Salute You! (1976 - 1997)

The late Brian Wilde first played Foggy in, "Last of the Summer Wine" back in 1976 when his character was brought in to replace Cyril Blamire (Michael Bates)....
Foggy was a former soldier who liked to boast of his military exploits in Burma during the Second World War (in fact, he was a sign-writer).........

Although Foggy considered himself very regimental and heroic, when confronted Foggy was generally meek and incompetent. Like the previous third man- and all subsequent third men- he considered himself the leader of the trio, and frequently took charge of Compo and Clegg. Foggy Dewhurst was infamous for trying to figure out a solution to the trio's everyday problems, only to make them much worse. In earlier years Foggy wore a scarf with regimental colours on it. When Wilde left the series in 1985 to star in his own sitcom as well as to pursue other TV work, it was explained that Foggy had moved to Bridlington to take over his family's egg-painting business.

Returning in 1990 following the impromptu departure of Michael Aldridge, he claimed he had tired of a life of egg painting, and wanted to return to his old life. In 1997, when Wilde's illness prevented him from taking part in the series, he was written out in the Special, "There Goes the Groom", (in which the character was only seen in brief, non-face shots, played by a double; this episode also introduced his successor, Truly).

An unconscious, hung-over Foggy was swept off to Blackpool by the local postmistress. There he inadvertently proposed to her in a verbal slip-up over the wedding rings of which he had taken charge "for safe keeping" (out of the dubious care of Best Man, Barry).

But he must have at least liked her, as he was never heard from again after that. Foggy's real first name was revealed to be Walter (with the middle initial "C"); "Foggy" is a nickname, derived from the traditional song "The Foggy Foggy Dew", aided perhaps by the fact that, in his earlier episodes, he would occasionally "blank out" everything around him to help himself to concentrate, particularly when he was thinking up new ideas or finding solutions to problems. This is particularly noticeable in the episode "The Man from Oswestry."

Tv Times - The Rat Catchers (1967)

This classic cover from TV Times dates back to 1967 and on the cover is the late actor Gerald Flood who at the time was starring in the ITV intelligence series, "The Rat Catchers....."
The Rat Catchers was a 1960s British television series about a top secret British Intelligence Unit who receive orders from the Prime Minister and without questions battles enemy spies, saboteurs, and other criminals in order to protect the security of Great Britain and the Western Alliance. The show centred around three major characters: Peregrine Pascale Smith (portrayed by Gerald Flood), the Oxford University-educated managing director with 12 years experience under his belt, Brigadier H. St. J. Davidson (portrayed by Philip Stone), the emotionless analytical brains behind the group, and newly-recruited Richard William Hurst (portrayed by Glyn Owen), formerly a superintendent at Scotland Yard who though he was said to have gone by the book in the police force, seems to have some problems with authority now. Part of the problem is that the Brigadier refuses to tell him more than the minimum that he needs to know about the organisation. Officially he works for Smith's company: Transworld Electronics and in episode 3, he is not sure whether Smith or the Brigadier is his boss.

The organisation was based at Whitehall but officially didn't exist, being denied at the highest level as they worked with the greatest secrecy. The show began with the arrival of Hurst who is out of step with the other two. Raymond Francis was originally picked for the Hurst role but changed his mind at the last minute. Many of the stories were continued, sometimes with cliff-hanger endings.

The show aired from February 2, 1966 to April 27, 1966 and December 15, 1966 to March 9, 1967 and comprised 25 60-minute episodes. It was a Rediffusion TV Network Production. Producer Cyril Coke. It was in the Monday 8 pm slot. Theme music composed and arranged by Johnny Pearson. Directed by James Ormerod and produced by Cyril Coke.

Jerry Lewis is The Delicate Delinquent (1957)

The Delicate Delinquent was a 1957 American black-and-white film which starred Jerry Lewis. It was filmed in 1956 and released on June 6, 1957 by Paramount Pictures and is notable as the first film that Lewis made without his longtime partner Dean Martin.

• The Delicate Delinquent was filmed from September 5-October 12, 1956 and is based upon a script entitled Damon and Pythias. Darren McGavin stepped in to fill the role of a police officer that was originally written for Martin. Although the credits show a copyright date of 1956, the film was released the following year, a common practice in Hollywood.
• Lewis, who also produced the film, played a 'juvenile', although he was 30 years old at the time.
• The romantic interest in the film was provided mainly by actress Martha Hyer, who married Hal Wallis in 1966, the producer of the Dean Martin/Jerry Lewis films. Hyer's fancy dresses in the film were designed by longtime Paramount costumer designer Edith Head.
• Comedian/impressionist Frank Gorshin made a rare dramatic appearance as a gang member in the film.

When a gang fight breaks out in the alleyway next to his lower-class New York apartment building, Sidney Pythias, a well-meaning apprentice janitor, is mistakenly arrested, along with a group of juvenile delinquents that includes Monk, Artie and Harry. The arresting officer, Mike Damon, is chastised by Capt. Riley, his new supervisor, who points out that Mike's efforts to reform teenage delinquents has only landed Riley in the hospital. In turn, Mike, a decorated policeman, argues that he was once a delinquent himself who was saved from a life of crime by a policeman, and he is merely trying to follow that example. Riley then gives Mike one month to reform at least one juvenile delinquent or be transferred out of the precinct. Seeing a scared and grateful Sidney groveling at a police sergeant's feet upon his release, Mike decides to make the young janitor his project.

When Mike tries to make friends with Sidney, however, the lonely janitor questions the policeman's motives, but accepts his dinner invitation when Mike tells him he has a twenty-one inch television. Back at the police station, Riley orders Mike to work with Martha Henshaw, a city council aide sent to their precinct to investigate the juvenile crime problem. When Martha asks to meet a juvenile delinquent, Mike tells the wealthy socialite to go out and find one herself, and, in turn, Martha finds Sidney. When the three meet at the policeman's apartment for dinner, Mike and Martha agree to pool their efforts to help the young man, but Sidney quickly leaves when the two reformers begin fighting with each other. Later, back at his apartment, Sidney tells Mike that he is "a nothin'...but would sure like to be a somethin'." Trying to build up the young man's self-confidence, Mike assures Sidney that he can do anything he wants, but is shocked when the novice janitor tells him that he wants to be a policeman.

Though he initially refuses Mike's request that he endorse Sidney's admission to the police academy, Riley relents after hearing Martha's glowing endorsement of Mike's handling of the bumbling Sidney. While helping Sidney fill out his application to the academy, Mike cannot stop talking or thinking about Martha, and when she arrives at Sidney's apartment to check up on the young man, Mike readily agrees to escort her home. The two soon begin seeing each other socially. Sidney's love life also takes a turn for the better when Patricia, an attractive young tenant in his building, reprimands him for not asking her out. Sidney tells the student nurse that he cannot date her until he makes something of himself. Although he struggles every step of the way through his police training, which includes judo and sumo wrestling lessons, Sidney makes it through the initial stages of the academy. Mike becomes so obsessed with helping Sidney, however, that Martha breaks up with him. Meanwhile, Sidney is visited by Monk and Artie, who try to talk him out of becoming a policeman.

Though Monk tells Sidney that the world is against them, Sidney argues that there are a lot of decent people in the world and he is just trying to be one. On his first patrol, Sidney is assigned to walk a beat with Mike in his own neighborhood, and the trainee ends up delivering a baby. Later that evening, however, Sidney gets involved in a police scuffle with his old hoodlum friends, and Artie is shot by his gun. Monk later confesses that the gun fell out of Sidney's holster during the fight, and he accidentally shot Monk while trying to steal the weapon. Cleared of the shooting, Sidney finally receives Riley's full endorsement to join the force, and he rushes home to give Patricia the good news. Later, policeman Sidney L. Pythias meets with his old hoodlum friends and offers them the same encouragement to improve themselves that Mike offered him.

Holiday On The Buses (1973)

I love the classic sit-com, On The Buses, despite being derided by the so called critics I think this is one of the best sit-coms from this particular period. I feel that the three feature films based around the series are even funnier than the actual series itself. Holiday on the Buses made in 1973 was the third and final film based on the series. Directed by Bryan Izzard, Holiday On The Buses starred Reg Varney and Doris Hare. The film succeeded the films On The Buses (1971) and Mutiny On The Buses (1972). The film was produced by Ronald Chesney and Ronald Wolfe for Hammer Films.

After a series of incidents at the bus depot, Stan (Reg Varney), Jack (Bob Grant) and Inspector Blake (Stephen Lewis) are sacked. Stan and Jack get a job as bus crew at a holiday camp, only to find that Blakey has also got a job at the camp, as security inspector. Stan invites the family to stay whilst he proceeds to chat up the guests and staff. Meanwhile, Blakey thinks he can teach the guests old time dancing. Stan and the family get into an adventurous holiday, including repainting the whole of a bedroom as Little Arthur squirts ink around the room, a suitcase full of murky river water, and an exploding toilet.

Reggatta de Blanc - The Police (1979)

Reggatta de Blanc was the second album by The Police, released in 1979. It features the band's first two number 1 hits, "Message in a Bottle" and "Walking on the Moon".
The album took four weeks to record, spaced over several months. Unlike its successor, Zenyatta Mondatta, there was no pressure on the band. Stewart Copeland described it, "We just went into the studio and said, 'Right, who's got the first song?' We hadn't even rehearsed them before we went in."

Against the wishes of A&M, who had wanted to equip the promising band with a bigger studio and more famous producer, the Police opted to again record at Surrey Sound with Nigel Gray. The small budget (between £6,000 and £9,000) was easily covered by the profits of their previous album, Outlandos D'amour, further ensuring that the record label would have no control over the actual creation of the band's music.

Whereas Outlandos d'Amour had benefited from one of the most prolific songwriting periods of Sting's life, the recording sessions for Regatta de Blanc were so short on new material that the band even considered re-recording "Fall Out" at one point. To fill in the gaps, Sting and Copeland dug up old songs they'd written and used elements of them to create new songs. Much of the lyrics to "Bring on the Night" were recycled from Sting's Last Exit song "Carrion Prince (O Ye of Little Hope)", and "The Bed's Too Big Without You" similarly started as a Last Exit tune, while "Does Everyone Stare" originates from a piano piece Copeland wrote in college.

The album's title is a pseudo-French translation of "White Reggae".

The instrumental "Regatta De Blanc", one of the few songs written by the Police as a group, came from the long instrumental break in the live performance of "Can't Stand Losing You" and earned the band the 1980 Grammy Award for Best Instrumental Performance for "Bring on the Night" is about the execution of Gary Gilmore - though purely by accident. Under its original title of "Carrion Prince", the song was about Pontius Pilate. After adapting it into "Bring on the Night" for Regatta de Blanc, Sting read The Executioner's Song and was shocked that the intentionally abstract lyrics he'd written fit exactly with Gilmore's life story. He claims that since then, "I sing it with him in mind." "The Bed's Too Big Without You" was covered by reggae singer Sheila Hylton in 1981, which became a UK Top 40 hit.

Nothing Sparkles Like Babycham (1975)

Babycham sparkles, just the way I want to feel.  This classic ad for Babycham dates back to 1975.

The King of Gamma Garments - Remembering Leonard Swindley (1960 - 1965)

Leonard Swindley was played by the late, great Arthur Lowe on Coronation Street between 1960 and 1965. The character of Mr Swindley also appeared in two spin-off series following his departure from the Street -Pardon the Expression and Turn Out The Lights, making him a unique character in UK soap opera.

At the time filming commenced of the pilot episode of Coronation Street, the character of Leonard Swindley had not even been cast. Because he wasn't supposed to appear until episode three, auditions were still taking place until Arthur Lowe walked in and read for the producers. Lowe, who went on to become most recognised as Captain Mainwaring in sitcom Dad's Army, was already an established actor by the time of his Coronation Street casting, having been in several feature films, but it was his turn as pompous Mr. Swindley that made him a household name in the early 60s.

In December 1961, only a year after the show's launch, a strike of the actor's union Equity meant that Lowe, who was not under contract with the show at that point, was forced to leave the series along with several other stars of the Street. The strike lasted until April 1962, and Lowe agreed to reprise his role once again, returning in June along with Eileen Derbyshire

Upon hearing of Lowe's decision to quit the series in 1965, ITV bosses offered him the chance to continue in the role as the star of a new sitcom based around his character. The end result Pardon the Expressoin debuted two months on from his final appearance in Coronation Street and ran for two series until 1966. It in turn produced its own spin-off Turn Out The Lights, again based around Swindley, which lasted only six episodes.

Swindley, in his role as lay preacher, was a central figure in the local community. The Mission Hall would regularly play host charity ventures and plays among other uses. Swindley and his assistant Emily also organised several trips out for the locals.

In 1962, Swindley's clothes store was failing and piling debts forced him to sell up. The buyer, Niklos Papagopoulos, was the owner of a successful chain of clothes shops in Manchester called 'Gamma Garments'. Papagopoulos re-opened the store as Gamma weeks later, deciding to keep Swindley on as manager and Emily and Doreen Lostock as his assistants.

After working closely for over three years, Swindley's relationship with his colleague Emily grew and in 1964 she proposed. Swindley hesitated before accepting and a date was set for only a few weeks later. When the wedding day came however, Emily realised that neither of them truly loved each other and decided to call off the marriage. He assured her that he felt the same way and the pair managed to salvage their friendship to continue working together.

The next year, following Arthur Lowe's decision to quit, Swindley was offered a promotion at Gamma Garments and duly accepted, leaving the Mission, and Weatherfield behind. The character later moved on to work as manager for Dobson and Hawkes, the clothes store seen in the spin-off Pardon The Expression.

It's Friday. It's Five O'clock and It's Crackerjack

This classic Radio Times cover dates back to the year of my birth, 1966 and gracing this cover are Leslie Crowther and Peter Glase from the classic Friday afternoon kids show, Crackerjack.  Also featured on this cover is Harry Corbett the originator of Sooty!

Stand and Deliver - Adam & The Ants (1981)

"Stand and Deliver" was Adam & The Ants' most successful single. It entered the UK Top 40 at Number One and stayed there for five weeks. It was featured on their Prince Charming album. The lyric "stand and deliver - your money or your life" was a phrase commonly used by highway man Dick Turpin in 18th century England during robberies.

The song's video features Adam Ant dressed as a "dandy highwayman" who is captured and escapes being hanged from the gallows with help from his accomplices (his band members). The video's opening sequence of Adam Ant putting on his makeup before going out on a robbery became a defining visual image for Adam Ant in the years that followed. The video also has an early appearance by Amanda Donohoe who at the time was Adam's girlfriend.

No Doubt released the song along with their entire music catalogue for those who bought tickets to their North American Tour in 2009, though it is not to be counted as a single officially and will not appear on their upcoming album. They alao performed the song while playing a fictional 1980s band, Snowed Out, in the Gossip Gin episode "Valley Girls" as well as in their 2009 tour during the encore.

"Stand and Deliver"
Single by Adam and the Ants
from the album Prince Charming
Released	Spring 1981
Format	vinyl record (7")
Genre	New Wave, Glam Rock
Length	3:34 (album version) 3:08 (single version)
Label	CBS Records
Writer(s)	Adam Ant & Marco Pirroni
Producer	Chris Hughes
Adam and the Ants singles chronology
"Cartrouble" (1981) "Stand and Deliver" (1981) "Prince Charming" (1981)

Smirnoff - You drink it for what it is (1976)

They say Smirnoff won't put you in the Boss' shoes. We'll drink to that!
This Smirnoff ad originates from the good old days known as 1976.

Elvis on assault charge (1956)

Elvis Presley appeared in a Memphis city court on Oct. 19, 1956 along with Gulf service station employees Edd Hopper (left) and Aubrey Brown. The trio had a fight the previous night when Elvis pulled into the station at Gayoso and Second for repairs and was besieged by fans. Hopper, the station manager, ordered Presley away and a brief altercation ensued. All three were booked for assault and battery and disorderly conduct.

Charges against Presley were dismissed. Hopper and Brown both had to pay fines.

Let's hear it for Penelope Pitstop!

I loved this when I was a kid. The Perils of Penelope Pitstop was an American animated TV series produced by Hanna-Barbera Productions that premiered on CBS on September 13, 1969. The show lasted two full seasons, with a total of 17 half-hour episodes produced and released, the last first-run episode airing on January 17, 1970. Repeats aired until September 4, 1971. It is a spin-off of the Wacky Races cartoon, reprising the characters of Penelope Pitstop and the Anthill Mob. This show airs re-runs on Cartoon Network classic channel Boomerang.

The series was patterned on the silent movie era melodrama cliffhanger movie serial The Perils of Pauline using the most successful characters of Wacky Races, namely Penelope Pitstop, the members of Ant Hill Mob and originally Dick Dastardly and Muttley though Dastardly and Muttley were later dropped in pre-production according to this series DVD release information. Those characters would be later reused in their own series.

Deciding to feature the characters in a different setting, studio heads decided to set the characters into an active adventure format strongly reminiscent of the 1920s. Adding to the cliffhanger serial feel, episodes typically started with a recap such as "Last time we left Penelope, she was in the clutches of the Hooded Claw". Contrary to later editing of the series in rebroadcasts, the original format of the series was to introduce the successive episodes at the end of the just-finished broadcast for the successive week that would present and leave Penelope in the middle of a dangerous situation to overcome. The cliffhanger would end with Penelope being shown placed in direct danger such as being shot out of a circus cannon to land in the wild animal cage. The audience is left there with the indication "Tune in next week for danger in the 'Big Top Trap' ". The successive episode would include recapping the previous week's end scene introduction and continue onto Penelope's successful avoidance of the danger she encountered. In all rebroadcasts of the series since the original broadcasts as well as on the DVD release of the series, these introduction endings have been removed from the main episodes. Some of the foreign broadcasts have retained these introductionary endings, akin the same plot device used in the sci-fi series Quantum Leap.

Also from the Wacky Races was the Ant Hill Mob, originally portrayed as a group of crooks but in this incarnation are now are either reformed, never had the criminal background of their earlier Wacky Races incarnation, or are engaging in a protection racket. The members also has completely new names from the original Wacky Races series (except for their leader Clyde, who was named "Big Clyde" in the Wacky Races), who, with their largely self-aware car, Chugga-Boom, acted as the heroes and were constantly rushing to Penelope's rescue. But their attempts to save her were only half effective. The Mob's reason for being Penelope's friends and guardians is never explained, although the narrator mentions that they were "benefactors."

The Hooded Claw (voiced by Paul Lynde), aided by his pair of near identical henchmen who always speak in unison, the Bully Brothers (both voiced by Mel Blanc), concocted needlessly Goldbergian plots to kill Penelope (such as a device to drop her from an aircraft, cut her parachute, and then have her drop into a box of wildcats). While the Mob often rescued Penelope, as often as not she needed to rescue the Mob from the unintended effects of their attempts to rescue her. While Penelope was curiously helpless whenever The Hooded Claw grabbed her, once he left her tied up for his fiendish plans to take effect, she usually became resourceful and ingenious, sometimes coming up with spontaneous and creative methodologies to escape her peril.

Penelope was always in a different part of the globe for every peril. Mainly she was in America, but she did go to locations such as Egypt, England, the jungle, Baghdad and the North Pole. These settings were painted by background artist Walter Peregoy.

Just like in other spin-off series, like Dastardly and Muttley in their flying machines, the Wacky Races series is never mentioned, not by Penelope, nor by the Ant Hill Mob. Plus the Compact Pussycat from Wacky Races is never seen in the series. Instead of that vehicle, Penelope usually drives a green sports car, or any other vehicle that she finds, or even Chugga-Boom. However, there is a singular reference to the earlier Wacky Races series in this series. In the origin episode "Jungle Jeopardy", in response to Penelope's statement of introducing the character "It's you! My arch enemy, The Hooded Claw!", the Hooded Claw replies "Who did you expect? Dick Dastardly?" The only other suggestion to the Wacky Race version is shown when the Anthill Mob members are all standing behind period convict stripped suit cut-outs in the episode "Carnival Calamity" hackening back to their original criminal versions, opposite to this heroic incarnation. It should be noted this is the only time that the character of Dum Dum is shown in this series with an angry face, same as his Wacky Races version Ring-A-Ding.

Also, in the first sketches of the series, Penelope was supposed to have a younger brother named Johnny Pitstop, who would help the Ant Hill Mob save her from the clutches of the Hooded Claw. In those same sketches, Dick Dastardly and Muttley were supposed to be Johnny Pitstop's personal bodyguards, using once again their car, The Mean Machine. This was all in the first sketches, and never make out in the final works.

Unlike other cartoon shows of the era, The Perils of Penelope Pitstop did not contain a laugh track.

Created by veteran Hanna-Barbera voice actress Janet Waldo, Penelope is a classic "damsel in distress" stock character as in the old serial The Perils of Pauline. Her catchphrase is "Help, help!" (spoken in an affected upper-class U.S. Southern accent). Throughout the series, she displays a curious combination of ingenuity and helplessness. She often figures out clever ways to get out of a jam, and is very athletic; if any sport happens to be mentioned, it is revealed that she was the women's champion in said sport in college. Nonetheless, when her arch-nemesis The Hooded Claw, voiced by Paul Lynde (who, unknown to her, is her guardian Sylvester Sneekly) grabs her, she is somehow incapable of doing anything other than yelling for help. Like the show's villain The Hooded Claw, she often interacted with the narrator of the show.

The Hooded Claw was the main villain and the alter ego of Sylvester Sneekly, Penelope Pitstop's guardian. Contrary to what his name suggests, he has neither a hood nor a claw, preferring to wear a purple suit, and a green hat and cape. In the event of her death, Sneekly stood to inherit Pitstop's fortune. He was a master of disguise, and often aided by his henchmen, the Bully Brothers, twin brothers who dressed alike and talked like movie directors, as well as speaking as one. Each episode's plot involved Sneekly trying to kill Penelope and claim her fortune for himself. She never suspected his intentions, however, because he performed his nefarious deeds only in his costumed persona, The Hooded Claw. However, there was a running gag where Penelope commented to Sneekly that he looked like the Hooded Claw, but there was no way her kind guardian could be that villain. In "Big Top Trap," Sneekley actually reveals to Penelope that he is the Hooded Claw, but Penelope does not believe this, thinking it is just a circus act. Sneekly/Hooded Claw was voiced by Paul Lynde, whose participation was uncredited. (In the Japanese version, he was played by Kyoshi Kawakubo).

Like Boris Badenov in The Rocky and Bullwinkle Show, Sneeky/Hooded Claw would break the "Fourth Wall" by at times directly addressing the narrator as the narrator was revealing the crime to the audience, defeating the surprise the Claw was about to spring. He would then belittle the narrator by calling the narrator "Buster", "Nosy", "Tattle-tale", "busy-body" or "wise guy" for verbally interfering with his crimes. Despite knowing about the narrator and interacting with same, at no time does the Hooded Claw/Sneekly acknowledge that he and all the people of his world are merely characters in a scripted film.

Penelope was often rescued from peril by the Ant Hill Mob, a group of seven diminutive men with exaggerated personality traits, clearly owing quite a bit to the characters of the Seven Dwarfs in the Walt Disney film Snow White and the Seven Dwarfs as well as the Keystone Cops which they obviously imitated twice in the series. The seven members usually were portrayed as having unique usable talents such as Zippy's speed, Pocket's technical intellect and gadgetery, and Dum Dum's marksmanship though at times the members were obviously not effective in using their skills as Pitstop's guardians. The seven members are:

• Clyde – The leader, a caricature of Edward. G. Robinson in Little Caesar and the one in the gray suit; When he gives instructions to the others, they always respond: "Right, Clyde." He gets irritated when the mob screws up or when a certain member of the mob (especially Dum Dum) misinterprets his instructions. His catchphrases are "Oh brother", "No kiddin'", and "You Dum-Dum!". He was voiced by Paul Winchell.
• Dum Dum – (Ring-A-Ding in Wacky Races) Played stupid and is identified by a plum-colored stripe on his hat; his catch phrases are "Here we come, Penelope!" and "What'll we do now, Clyde?". Like his Wacky Races counterpart, he was normally the cause of a plan's failure. Dum Dum also has trouble remembering his own name, and speaks like a clown. He was voiced by Don Messick.
• Pockets – Able to bring out useful objects to get the Mob out of trouble, even ones of ridiculous size. He has a green stripe on his hat, and pockets all over his suit (hence his name). He was voiced by Don Messick.
• Snoozy – The dozy one, sleeping through moments of emergency; but despite sleeping on the job, he's always aware of what's going on at the present time and appears able to pilot Chugga-Boom (the mob's car) while asleep. He can dream up a suggestion that Clyde finds very reasonable. Snoozy has the blue stripe on his hat, and leans over when upright, with his head on Dum Dum's shoulder. Snoozy is the only member of the Mob other than Clyde who is portrayed reliably without a full head of hair. He is a pun on The Seven Dwarfs' Sleepy. He was voiced by Don Messick.

• Softy – Cries at any possible emotional or stressful moment; whether those moments were happy or sad was irrelevant; he often chimes in mother memories. Very seldom does he smile, or even laugh. Viewers can identify him by both his constant blubbering, and his hat's pink stripe. He was voiced by Paul Winchell.
• Yak Yak – The talkative one, made a kind of 'yuk yuk' laugh, no matter how disastrous the news he was imparting. The worse the news he imparts, the harder he laughs. Yak Yak would laugh distinctively when The Mob was in peril, recognizing the danger but would still laugh ("We're gonna crash!! Heeheeheehee!"). Yak Yak is identified by his hat's chartreuse stripe, and his blonde hair. He was voiced by Mel Blanc.
• Zippy – A fast runner and a fast talker. If Pockets cannot provide what the mob needs, Clyde will send Zippy somewhere to get it (which is where he tends to mess up). Whenever Zippy screws up, Clyde would sometimes call him Dippy-Zippy. Like Clyde, his hat has a red stripe on it. He was voiced by Don Messick.

The Ant Hill Mob had previously appeared in Wacky Races alongside Penelope Pitstop, although of all seven Mob members, only Clyde kept his Wacky Races name here. The Mob's original Wacky Races car, the known as The Bullet proof bomb replaced by "Chugga-Boom" (voiced by Mel Blanc), which was mostly articulate and seemed to have a mind of its own though at times the Chugga-Boom seemed completely inanimate and was at those times drawn without eyes on the headlights.

Joe 90 - Top Secret - No 14 (1969)

Features are Agents' Fotofile (readers' photographs), Joe's Hobbies (The Story Of Space Travel Told In Stamps No. 14), a competition to win 100 Corgi Chevrolet SS 350 Camaro models, World Intelligence Network (quizzes and jokes), Champions Of Sport - Lester Piggot, The B.I.G. R.A.T. Tells The Story Of Helicopters, and Great Britain Eleven No. 4 Defender - Bobby Moore.

Make-us-an-ad: Kelloggs Corn Flakes (1966)

This classic ad for Kelloggs Corn Flakes dates back to 1966 and is encouraging the youngsters of the day to create advertisements expressing in words and pictures what they feel about Kelloggs Corn Flakes.  There were three age groups, under 8 - under 12 and under 15.  there were three prizes of £25, £15 and £10 with 250 runners up each receiving prizes of £1

Sacha Distel on the TV Times (1972)

Sacha Distel graces this classic TV Times cover from 1972. Accompanying Sacha on the cover are the late Susannah York & (The Bitch) Joan Collins in a production of Noel Coward's Fallen Angels.
Fallen Angels is a play that opened at the Globe Theatre (now called the Gielgud Theatre) in 1925 and starred Tallulah Bankhead.

The Vulcan's Vulcan - Remembering Mr Spock

First portrayed by Leonard Nimoy in the original Star Trek series, Mr Spock also appeared in the animated Star Trek series, two episodes of Star Trek; The Next Generation, seven of the Star Trek feature films, and numerous Star Trek books, comics, and video games. In the 2009 film Star Trek, Leonard Nimoy reprised his role alongside Zachary Quinto, who played a younger, alternate-timeline version of the character and Jacob Kogan playing Spock as a child.

Spock serves aboard the Starship Enterprise, serving as science officer and first officer, and later as commanding officer of two iterations of the vessel. Spock's mixed human-vulcan heritage serves as an important plot element in many of the character's appearances. Along with James T Kirk and Leonmard McCoy, he is one of the three central characters in the original Star Trek series and its films. After retiring from Starfleet, Spock serves as a Federation ambassador, contributing toward the detente between the Federation and the Klingon Empire. In his later years, he serves as Federation ambassador to the Romulan Empire and becomes involved in the ill-fated attempt to save Romulus from a Supernova.

The character was initially depicted as the USS Enterprise's science officer for the original pilot, "The Cage" (1964). Although "The Cage" did not air, Spock's eleven years of service under the command of Captain Christopher Pike are referenced and depicted in "The Managerie" (1966) and other episodes. The character's first broadcast appearance is in "The Man Trap" (1966), which introduces him as the ship's science officer and first officer under Captain James T Kirk (William Shatner). Star Trek depicts a "troika" of Spock, Kirk, and Doctor Leonard McCoy (De Forest Kelley); while McCoy often acts as Kirk's conscience, Spock offers the captain an emotionally detached, logical perspective. The character also offers an "outsider's" perspective on "the human condition".

Star Trek also presents elements of Spock's upbringing and family. "Journey to Babel" (1967) depicts his parents: Sarek (Mark Lenard), the Vulcan ambassador to the Federation, and Amanda Grayson (Jane Wyatt), a human. Spock's decision to join Starfleet, rather than attend the Vulcan Science Academy, ran contrary to his father's wishes. The relationship between Spock and Sarek is strained and often turbulent, although rooted in an underlying respect and carefully restrained love for each other. The 1973 animated series episode "Yesteryear" shows seven-year-old Spock choosing to pursue a Vulcan lifestyle devoted to logic and suppressing emotion.

At the beginning of Star Trek: The Motion Picture (1979), Spock is no longer in Starfleet, having resigned and returned home to pursue the Vulcan discipline of Kolinhar. Spock is unable to complete the Kolinahr ritual after he senses the coming of V'ger, and rejoins Starfleet to aid the Enterprise crew in their mission. Spock, promoted to captain, is commanding officer of the Enterprise at the beginning of Star Trek 2: The Wrath of Khan (1982).

At the film's end, he transfers his "Katra" – the sum of his memories and experience – to McCoy, and then sacrifices himself to save the ship and its crew from Khan Noonien Singh (Ricardo Montalban). The sequel, Star Trek 3 - The Search for Spock (1984), focuses on his crewmates' quest to recover Spock's body, resurrected by the Genesis matrix in the previous film. At the film's conclusion, Spock's revived body is reunited with his katra. Spock is next seen in Star Trek 4 - The Voyage Home (1986), which depicts his recovery from the after-effects of his resurrection. In the film's final scene, he joins the crew of the newly commissioned USS Enterprise - under Kirk's command. In Star Trek 5: The Final Frontier (1989), Spock and the Enterprise crew confront the renegade Sybok, Spock's half-brother. Star Trek 6 - The Undiscovered Country (1991) reunites the Enterprise crew on a mission to prevent war from erupting between the Federation and Klingon Empire. Spock serves as a special envoy to broker peace with the Klingons after a natural disaster devastates their homeworld.

Spock appears in "Unificatoin" (1991), a two-part episode of Star Trek: The Next Generation. Set 75 years after the events of The Undiscovered Country, the episode focuses on Federation Ambassador Spock's attempt to reunite the Romulans with their Vulcan brethren. Filming of The Undiscovered Country overlapped with production of this episode, and the episode references Spock's role in the film.

Spock's next appearance in the live action Star Trek franchise is the 2009 Star Trek film. In the film's prologue (set 19 years after the events of Unification, and as depicted in the graphic novel Star Trek: Countdown), Ambassador Spock (Nimoy) promises the Romulans he will use Vulcan technology to save them from a rogue supernova that threatens to destroy their Empire. The mission is only partially successful, and in the aftermath Spock is pursued into the past by Nero (Eric Bana), a Romulan driven mad by the loss of his homeworld and family, setting into motion the events of the film.

In the film's opening act, Nero's ship emerges in the year 2233, and through its interaction with the inhabitants, inadvertently creates an "alternate, parallel 'Star Trek' universe". Stranded in the alternate past, the prime version of Spock helps alternate, younger versions of himself and Kirk (Zachary Quinto and Chris Pine, respectively) thwart Nero's attempt to destroy the Federation.

The film also features Jacob Kogan in several scenes depicting Spock's childhood, including his abuse at the hands of other Vulcan children due to his half-Human heritage, and his relationship with his parents (Ben Cross and Winona Ryder). The film also depicts Kirk and Spock's initial clashes at Starfleet Academy, and the gradual development of their friendship based on shared mutual respect, what the elder Spock calls "... a friendship that will define [them] both in ways [they] cannot yet realize." A major change in characterization from the primary timeline is alternate Spock's involvement with alternate Uhura (Zoe Saldana), his former student. At the end of the film, the young Spock opts to remain in Starfleet, while his older self stays in the altered universe to aid the few surviving Vulcan refugees, as Nero had destroyed Vulcan, Spock's home planet.

Spock, as originally described in Gene Roddenberry's 1964 pitch for Star Trek, is "probably half Martian, he has a slightly reddish complexion and semi-pointed ears". Early versions had the character ingest energy through a plate in his stomach. Writer Samuel A Peeples told Roddenberry these attributes made Spock too alien, and suggested "he should at least be half-human and have the problems of both sides", believing the human traits made the character more interesting and able to comment on the human condition more believably. Spock's home planet was changed because Roddenberry thought if the show was a success, humans might actually walk on Mars during the series' run.

Roddenberry sought an alien-sounding name when he created "Spock", and did not know until later of Dr.Benjamin Spock, the famous pediatrician and author. In the initial, rejected pilot, "The Cage" (1964), Spock is greenish yellow and from the planet Vulcan. After DeForest Kelley in 1964 stated his non-interest in playing the role, Roddenberry cast Nimoy because he knew him from a guest appearance in his pilot Lieutenant; after Roddenberry saw Nimoy's thin face and sharp features, no other actors were considered. Had Nimoy turned down the role, Roddenberry would have approached Martin Landau.

The "pointy ears" worn by Nimoy while portraying Spock are a form of facial prosthesis, mainly composed from molded and painted syntactic foam. The foam was created by filling a ceramic matrix with hollow particles called microballoons, which result in a low density prosthesis that is easily worn. However, the process of ungluing the ears was painful for Nimoy, and meant that he had to come in an hour and a half early before filming, and stay behind for a half hour each day after filming, to apply and remove the glued pieces. The pain and inconvenience were so great that when producer Robert H Justman jokingly proposed plastic surgery, Nimoy momentarily considered doing so. NBC was concerned about Spock's satanic appearance, however, and asked for the character to be dropped; according to Oscar Katz, the network was worried "the 'guy with the ears' would scare the shit out of every kid in America". Publicity shots of the character were airbrushed so Spock had normal eyebrows and round ears. With Katz's help, Roddenberry was able to keep the character. Throughout the character's television and movie appearances, the shape of Spock's ears has varied, due in part to the different makeup artists applying them.

Spock did not originally have the logical manner which would become associated with the character, this instead being a trait of the character Number One (Majel Barratt). However, Number One was dropped in developing the second pilot, "Where No Man Has Gone Before" (1966). This episode presents a more fully formed Spock, with his trademark logic. Nimoy liked the character's newly logical nature, observing the character is "struggling to maintain a Vulcan attitude, a Vulcan philosophical posture and a Vulcan logic, opposing what was fighting him internally, which was human emotion". Spock's behavior has been described as representing, in part, a type of normative judgment. Spock's Vulcan Salute references a sacred hand position used by the ancient Jewish priestly class. Desilu vice president Herbert Solow believes Nimoy was the key contributor to the character's depiction. Nimoy recalled, "As a Jew from Catholic Boston, I understood what it was like to feel alienated, apart from the mainstream...There were a number of values in 'Star Trek' that I felt very comfortable with as a Jew".

Leonard Nimoy had not intended to join the cast of Star Trek II: The Wrath of Khan, but was enticed back with the promise that his character would be given a dramatic death scene. Leonard reasoned that since The Wrath of Khan would be the final Star Trek film, having Spock "go out in a blaze of glory" seemed like a good way to end the character. In an earlier draft of the script, Spock had died in the first act in a shocking demise that the movie's producer Harve Bennett compared to Janet Leigh's early death in Psycho. Fan reaction to leaked news that Spock would be killed was overwhelmingly negative, and one fan paid for trade-paper advertisements urging Paramount to abandon the plan. Some fans even went so far as to issue death threats against Leonard Nimoy's family. According to Bennett:

"For some reason fans got the impression that he [Nimoy] wanted Spock dead. He'd written a book "I Am Not Spock," and that gave people the idea. Anyway, when a fringe group of Trekkies learned that we were going to kill the Spock character, it was like we'd taken a child of theirs onto the Brooklyn Bridge with the intention of throwing it off. And their reaction was, "let's get Leonard."

By April 1981, a revised script was completed that moved the character's death into the movie's final act. Spock's death scene was shot over three days, during which no visitors were allowed on set.

Spock's death was intended to be irrevocable, but Nimoy had such a positive experience during filming that he asked if he could find a way for Spock to return in a later film. The scene showing Spock's mind meld with McCoy was filmed without actor DeForest Kelley's prior knowledge of what was going on. Test audience reaction to Spock's death and the film's ending (the tone of which was dark and final) was poor, so Bennett made it more uplifting by adding the final scene revealing Spock's casket on the Genesis Planet and Nimoy's closing "These are the voyages" monologue.

Director Nicholas Meyer objected, but did not stand in the way of the changes, and even Nimoy did not know about the new scene until he viewed the film, but before the film opened, the media reassured worried fans that "Spock will live" again.

The Wrath of Khan had its first public screening at a science-fiction convention in Overland Park, KS on May 8, 1982, almost a month before general release. Although Paramount executives were concerned that Spock's death would set the fanbase against the movie, the audience actually applauded following Spock's final death scene. "It was sensational. I hate to be given to superlatives but it absolutely reached everything we wanted it to. I couldn't ask for anything better," said Co-producer Robert Sallin of the audience's reaction at the advance screening.

However, critical reaction to Spock's death was mixed at the time. Film critic Roger Ebert lauded Spock's death: "He makes a choice in STAR TREK II that would be made only by a hero, a fool, or a Vulcan. And when he makes his decision, the movie rises to one of its best scenes, because the 'Star Trek' stories have always been best when they centered on their characters." On the other hand, The Washington Post's Gary Arnold stated Spock's death "feels like an unnecessary twist, and the filmmakers are obviously well-prepared to fudge in case the public demands another sequel."

A quarter of a century later, Spock's death in The Wrath of Khan ranks number 2 on Total Film's list of 25 greatest Star Trek movie moments, and number 1 on IGN Movie's top 10 Star Trek movie moments.

Zachary Quinto was cast in the role of a young alternate-timeline Spock for the 2009 Star Trek film, directed by J J Abrams. Quinto mentioned he heard about the new film and revealed his interest in the role in a December 2006 interview with the Pittsburgh Post-Gazette. The article was widely circulated and he attracted Abrams' interest. Quinto expressed interest in the role because of the duality of Spock's half-human, half-Vulcan heritage, and how the character "is constantly exploring that notion of how to evolve in a responsible way and how to evolve in a respectful way. I think those are all things that we as a society, and certainly the world, could implement."Nimoy subsequently befriended Quinto. Although Quinto watched some episodes of the show during breaks in filming, Nimoy was his main resource in playing Spock.

From early on, the public's reaction to Spock was strongly positive, even fanatical. Headshots of Spock became popular fan souvenirs, with the rare ones of the actor laughing the most valuable. To Nimoy's great surprise Spock became a sex symbol, and teenagers asked questions about current events such as the Vietnam War and LSD as if he were the Vulcan scientist. A fan even asked the actor to lay his hands on a friend's eyes to heal them. Nimoy recalled, more than a decade after the show's cancellation:

The "Star Trek" phenomenon continues to amaze and confound me. It was incredible, and it still is, although it is gentler now than it used to be. For a time, it was hysterical – it was so wild I had to be very careful where I went. If I went to a restaurant, I had to plan my entrances and my exits so I wouldn't be mobbed and hurt. Same thing in hotels and airports – any public place. It isn't that hysterical any more, but it is still a potent force.

NASA made Spock an informal mascot of the space agency. Nimoy was invited to be guest of honor at the March 1967 National Space Club dinner, and to take an extensive tour of the Goddard Space Flight Center in Greenbelt, MD. The actor concluded from the warm and intense reception he received that astronauts like John Glenn and aerospace industry engineers, secretaries, and shareholders alike all regarded Star Trek, and especially the character of Spock, as a "dramatization of the future of their space program".

UGO named Spock one of the 50 greatest TV characters. According to Shatner, much of Star Trek's acting praise and media interest went to Nimoy.

Spock has been parodied by, and has also been the inspiration for, pop culture works in various media. Composer/keyboardist George Duke's 1976 Solo Keyboard Album features two tracks which pay homage to Spock: "Spock Gets Funky" and "Vulcan Mind Probe". Rock guitarist Paul Gilbert wrote the song "Mr. Spock" on his Space Ship One album. Swedish synthpop band S.P.O.C.K. makes music heavily influenced by the Star Trek universe. Even Nimoy got in on the act; assuming the Spock character, Nimoy recorded a number of novelty songs, the first being "Highly illogicall", in which Spock pointed out the foibles of human thought, such as relationships, automobiles, and greed. The second song, "A Visit to a Sad Planet", was darker in tone and told the story of Spock visiting Earth in the future and discovering it had been ruined by war, violence, and environmental irresponsibility. According to comic book writer and editor Bob Budiansky, The Transformers character shockwave as inspired by Spock. Spock's utilitarian perspective that "the needs of the many outweigh the needs of the few" is cited in a legal decision rendered by the Texas Supreme Court.

Spock's physical appearance in the Original Series episode "Mirror, Mirror" (1967) has itself spawned a trope of the "evil twin" archetype found in various fictional genres. In that episode, several members of the Enterprise travel to a parallel universe inhabited by evil versions of themselves. The parallel universe version of Spock is distinguished physically by his goatee.i09 said Spock's beard in the episode introduced "the best shorthand ever for evil parallel universe duplicates". Examples of the evil goatee's appearances in other media include Bender's "evil twin" Flexo in Futurama and a 2009 episode of The Golbert Report featuring Stephen Colbert and congressman Dan Maffei wearing fake goatees while pretending to be evil versions of themselves. The name of progressive rock band Spock's Beard is a direct reference to Spock's goatee in this episode.

In addition to television, feature films, books, and parodies, Spock has also been portrayed in fan fiction. Since 2004, the online fan production Star Trek: Phase 11 has continued the further voyages of the cancelled initial series. The fan-series' creators feel "Kirk, Spock, McCoy, and the rest should be treated as 'classic' characters like Willy Loman from Death of a Salesman, Gandalf from Lord of the Rings, or even Hamlet, Othello, or Romeo. Many actors have and can play the roles, each offering a different interpretation of said character."

Spock was portrayed by Jeffrey Quinn for the first three episodes of Star Trek: Phase 11. Brandon Stacy, who succeeded Jeffrey Quinn and Ben Tolpin in portraying Spock, also served as a stand-in for Zachary Quinto in the 2009 Star Trek film.