
Hi there and welcome to Ado's Blog. I am obsessed with nostalgia, especially 1960s & 1970s nostalgia and I enjoy nothing more than reflecting on days and times that have sadly long since gone! So join me, as I take a nostalgic gander down Memory Lane and celebrate all things past and occasional present, both good and bad! (All images used that are copyrighted are copyrighted to their respective publishers and are only used here for review purposes.)
Friday, 18 November 2011
TV Action - The Protectors (Part One)
Thursday, 17 November 2011
The Snowman
The Snowman was a children's book by author Raymond Briggs, published in 1978. In 1982, this book was turned into a 26-minute animated movie by Dianne Jackson for the fledgling Channel 4. It was first shown on Channel 4 late on Christmas Eve in 1982 and was an immediate success. The film was nominated for the Academy Award for Short film in 1982. It has been shown every year since and has become a part of British and international Christmas popular culture.
The book is wordless, as is the film except for the song "Walking in the Air". The story is told through picture, action and music. The cartoon version was scored by Howard Blake who wrote both music and lyrics of the song and also composed and conducted the complete orchestral score for the film with his own orchestra, the Sinfonia of London. The film's one song, "Walking in the Air," was written specially for it by Blake and performed by a St Paul's Cathedral choirboy, Peter Auty.
In a list of the 100 Greatest British Television Programmes drawn up by the British Film Institute in 2000, voted for by industry professionals, the film was placed 71st. It was voted 4th in UK Gold TV's Greatest TV Christmas Moments.
The Snowman is the tale of a boy who builds a snowman one winter's day. That night, at the stroke of twelve, the snowman comes to life. The first part of the story deals with the snowman's attempts to understand the appliances, toys and other bric-a-brac in the boy's house, all while keeping quiet enough not to wake the boy's parents. The two then venture back outside and go for a ride on a motorcycle, disturbing many animals: pheasants, rabbits, a barn owl, a fox and a brown horse.
In the second part of the story, the boy and the snowman take flight — the song "Walking in the Air" appears at this point. They fly over the boy's town, over houses and large public buildings before flying past the Royal Pavilion in Brighton and Brighton Pier and then out into the ocean. They continue through an arctic landscape and fly past many sights and animals such as penguins. Flying into the aurora they reach their destination.
The two wander hand-in-hand into a snow-covered forest and attend a snowmen's party, at which the boy is the only human. They meet Father Christmas and his reindeer, and the boy is given a scarf with a snowman pattern.
The story ends after the return journey. However, the sun has come out the next morning and the boy wakes up to find the snowman has melted. The boy begins to wonder if the night's events were all a dream, but he discovers that he still has the scarf given to him by Father Christmas. Realising the night's events were real, as the credits play, the boy mourns the loss of the snowman.
The original book has a slightly different plot. While the first half of the story remains the same, the boy and the snowman do not visit Father Christmas. In fact, all of the Christmas elements of the film were not present in the story. Notably, the boy's family does not have a Christmas tree in the house. After the snowman comes to life, they proceed to explore the boy's house. After they see the family car and play with the lights, the boy prepares a feast that the two eat by candlelight. Here the snowman takes the boy outside again, and they begin to fly. Once the boy and the snowman take flight, they only fly as far as the pier seen in the film. They stop there and wait for the sunrise. They hurry back, as the sun is rising, and the boy hurries inside again, like the film. The finale does not show James finding the scarf in his pocket, as they never made the trip to Father Christmas, but he finds the snowman melted in the same fashion.
After the initial showing on Channel 4, and in its initial showings on U.S. television, an alternative introduction was sometimes used. Instead of Raymond Briggs describing how much it had snowed the winter he made The Snowman, while walking through the field that morphed into the animation of the same landscape, David Bowie was shown reciting the same speech after walking into the attic of 'his' childhood home and discovering a scarf in a drawer. This scarf closely resembles the one given to the boy towards the end of the film. The Universal DVD The Snowman & Father Christmas (902 030 - 11), released in the UK in 2000, uses the Bowie opening. (The Bowie intro is actually missing on some Sony DVDs, despite being featured on the packaging.)
To celebrate the film's 20th anniversary, Channel 4 used an alternate opening directed by Roger Mainwood, with Raymond Briggs' interpretation of Father Christmas recounting how he met the boy. Father Christmas is voiced by comedian Mel Smith. Channel 4 have used this opening since 2002. This version is also cropped to 16:9 widescreen.
The song "Walking in the Air" is sung in the film by chorister Peter Auty, who was not credited in the original version, although had a credit added for the 20th anniversary version. The song was covered several years later by Welsh chorister Aled Jones in a single which reached number 5 in the UK charts. Jones is often wrongly assumed to have sung the song in the film (e.g. in a BBC review or the BFI's screenonline website).
Though the boy in the book is unnamed, in the film we discover he is named "James". This is clear on the tag for the present he receives from Father Christmas. As mentioned in the making of documentary that comes on the 20th anniversary DVD this was added by one of the animators who decided to use her then boyfriend, now husband's, name.
In the film, the boy's home seems to be in the South Downs of England, near to Brighton; he and Snowman fly over what appears to be Brighton; the Royal Pavilion and Palace Pier are clearly depicted. Later in the film, the tag on his present confirms this.
The film was produced using traditional animation techniques, consisting of pastels, crayons and other colouring tools drawn on pieces of celluloid, which were traced over hand drawn frames. For continuity purposes, the background artwork was painted using the same tools.
The Snowman has also been made into a stage show. It was first produced by Contact Theatre, Manchester in 1986. The Contact Theatre production was adapted and produced by Anthony Clark. It had a full script and used Howard Blake's music and lyrics. In 1993, Birmingham Repertory Company produced a version, with music and lyrics by Howard Blake, scenario by Blake, with Bill Alexander and choreography by Robert North. Since 1997 Sadler's Wells has presented it every year as the Christmas Show at the Peacock Theatre. As in the book and the film, there are no words, apart from the lyrics of the song "Walking in the Air". The story is told through images and movement. Special effects include the Snowman and boy flying high over the stage (with assistance of wires and harnesses) and ‘snow’ falling in part of the auditorium. The production has had several revisions – the most extensive happening in 2000, when major changes were made to the second act, introducing new characters: The Ice Princess and Jack Frost.
Joe 90 Top Secret (No 7)
Wednesday, 16 November 2011
Have Broom Will Travel - Remembering Winsome Witch!

Winnie's voice was done by Jean Vander Pyl, who is best known for Wilma Flintstone Her other roles include Rosie the Robot in The Jetsons, Marje Huddles and Mrs.Finkerton in Inch Eye, Private Eye. There were no other regular characters in Winnie's segment.
In its second season, the hour-long, two-star show briefly split into two half-hours. Winnie went with Secret Squirrel. Later that same season, the two merged back together. There were 26 episodes altogether. Like a lot of Hanna-Barbera characters, Winnie got a new lease on life as part of an ensemble show, but it took her until 1990. On September 17 of that year, Wake, Rattle & Roll debuted with two cartoon segments — Monster Tails featured all-new characters (pets of classic movie monsters), but Fender Bender 500 featured Winnie, along with Snagglepuss Peter Pottomus, Ricochet Rabbit and several other '60s relics, in a remake of Wacky Races, Vander Pyl reprised her role as Winnie's voice.
Wake, Rattle & Roll didn't last long, and after it folded, Winsome Witch was gone for good.
The Second Doctor Who - Patrick Troughton
'Radio Times' Letters Page, 24 November 1966
The 'Radio Times' letters page receives a mixed reception to the new Doctor Who.
Tuesday, 15 November 2011
Fabulous 208 (September 21st 1968)
Joe 90 Top Secret (No 6)
Secret Squirrel - Eat your heart out James Bond!

Secret Squirrel was a cartoon created by Hanna-Barbera. Secret Squirrel was one of two co-stars of The Atom Ant/Secret Squirrel Show, which debuted in 1965. He was given his own show in 1966, but was reunited with Atom Ant for one more season in 1967. Secret first appeared in a prime-time animated special called The World of Atom Ant and Secret Squirrel, which aired on NBC on September 12, 1965.
The Secret Squirrel half-hours included three individual cartoon segments: "Secret Squirrel," "Squiddly Diddly," and "Winsome Witch." Secret Squirrel's shorts were a parody of the then-popular spy genre, with most of his shorts' elements satirizing those of the James Bond films. Secret Squirrel was also known as "Agent 000". Beginning in 1993, thirteen new Secret Squirrel cartoons appeared in between the 2 Stupid Dogs episodes, with the updated title, Super Secret Secret Squirrel and a new cast. As of 5th September 2011, episode reruns returned on Boomerang from Cartoon Network.
Secret Squirrel (voiced by Mel Blanc) serves as a Secret Agent, taking orders from his superior Double-Q (voiced by Paul Frees) of the International Sneaky Service. His designation is Agent 000. Secret Squirrel is assisted in his adventures by fez-wearing sidekick, Morocco Mole (also voiced by Paul Frees impersonating Peter Lorre). The pair fights crime and evil enemy agents using cunning and a variety of spy gadgets, including a machine gun cane, a collection of guns kept inside Secret's trench coat, and a variety of devices concealed in his fedora (which he almost never removes).
Secret Squirrel's recurring arch-enemy is Yellow Pinkie (also voiced by Frees), a parody of Auric Goldfinger from Goldfinger and Kasper Gutman from The Maltese Falcon. The last episodes introduced Hy-Spy (again voiced by Frees), the master of scientific criminology.
Secret Squirrel's debut was on September 12, 1965 in The World of Atom Ant and Secret Squirrel prime-time special on NBC. The original series was broadcast from October 2, 1965 to September 2, 1967. Secret Squirrel had his own show in 1966 and was then reunited with Atom Ant in 1967 until 1968. Episodes were broadcast in syndication and as part of The Banana Splits variety and compilation series.
The new series Super Secret Secret Squirrel debuted in 1994.
The first seven episodes of the 1960s Secret Squirrel series was broadcast in front of the 1994–1995 season of Hanna-Barbera's 2 Stupid Dogs (1993–1995).
Their shorts have aired from time to time on Cartoon Network's sister cable television station Boomerang. The Secret Squirrel Show returned to Boomerang when Boomerang removed the shows Huckleberry Hound and Yogi Bear on January 2, 2008. The Secret Squirrel Show was removed on June 30, 2008, but it returned in June 2009 as a filler segment for 2 Stupid Dogs during the summer. The Secret Squirrel Show returned again on August 31, 2009.
Years later, Secret Squirrel and Morocco Mole were revived in 1993 for back-up segments of TBS Super Station's animated series 2 Stupid Dogs. Titled Super Secret Secret Squirrel, these new cartoons featured Secret Squirrel voiced by Jess Harnell imitating Mel Blanc and Morocco Mole voiced by Jim Cummings.
These segments featured different artwork compared to the original 1960s cartoons. All the characters inhabiting the world were now animals. Double-Q, called simply the 'Chief' in these shorts and voiced by Tony Jay, is a cape buffalo instead of a man with a balding hairline, and arch-foe Yellow Pinkie was replaced with a sea lion known as Goldflipper (voiced by Jim Cummings). These new shorts also introduced Penny (voiced by Kimmy Robertson), a female squirrel assistant to the Chief (Ã la Miss Moneypenny) as a possible love interest for Secret (as hinted at in the episodes Queen Bea and Quark). Morocco was given a new color scheme, wears sunglasses, and has an evil twin brother, Scirocco Mole (voiced by Jess Harnell). Secret's art design remained relatively intact, but with a more modern design than the previous animated series' version of the character. His hat has a slightly different style. This new series seems to have fallen under the villain of the week formula and Secret Squirrel and Morocco Mole have once appeared on a 2 Stupid Dogs story.
Sunday, 13 November 2011
William Hartnell - Doctor Who & The Smugglers
Saturday, 12 November 2011
It's a Knockout - Remembering Stuart Hall
On radio, Sports Report has remained a constant motif for Stuart. His reports from Anfield (The Coliseum), Goodison Park (The School of Science), Maine Road (The Theatre of Base Comedy), Wembley Stadium (The Slope) etc, etc have now reached legendary status. He tells the listeners the story of the game, but it is wrapped in a language that some cannot comprehend, but others lap up to their heart's content. His descriptions of particular players are mind-blowing but often perceptive: Mick Jones of Leeds United was described as a sweating, plunging Lincolnshire dray, Wolves' Steve Kindon was likened to a runaway wardrobe, while Liverpool's Tommy Smith was compared to a dyspeptic water buffalo. His idiosyncratic reportage is an acquired taste. But when the BBC produced a cassette to celebrate Sports Report's 40th anniversary in 1988, there amongst all the famous events chronicled by some of the greatest exponents of the broadcasting art was Stuart's report on the 1987 Manchester derby match which remains priceless.
In 1998, when the BBC produced a book to commemorate the 50th anniversary of Sports Report, a chapter was devoted to Stuart's escapade at the 1977 European Cup Final in Rome. Having used up most of the local BBC funds to get a local view on events in the Eternal City, he was refused permission to enter the Olympic Stadium. The players and management of Liverpool FC thought differently and on the eve of the club's greatest achievement, film and sound equipment was smuggled into the dressing room via kit bags and Stuart was also kitted out with a tracksuit and a shirt with a number 14 on the back. He watched the Final from the substitutes bench alongside legendary striker John Toshack, collected souvenirs such as the shirt of Berti Vogts who had played for the losers of Borussia Monchengladbach, plus the dressing door key and most of all got the film of one of British football's greatest moments.
Also on the wireless, he hosted a regular Friday night programme on BBC Radio 2 from Manchester and for number of years in the 1980's, Stuart Hall's Sunday Sport on Radio 2's medium wave frequency. To give a flavour of the latter here are his opening remarks from a show in September 1987: "Welcome to Stuart Hall's Sunday entombed in the bowels of Broadcasting House in sun-kissed Londinium. The sun blazes down - or does it - and kisses are certainly not prevalent at our three main venues. It's deadly serious and climax time for Europe in the Ryder Cup Singles at Muirfield Village, Ohio - Ian Woosnam leads the charge at 2.30. In Spain, Nigel Mansell with paranoia, ruffled feathers and a $3000 dollar fine must win the Spanish Grand Prix to stay alive and in Brazil - My Boy - Wayne Gardner needs to win to take his first World Championship on two wheels".
So eventually to It's A Knockout and Jeux Sans Frontières. As you will know from viewing the website, Stuart's connection with the series began long before his arrival as main presenter in 1972. But in the decade from then,Knockout and Stuart Hall fitted in place together like a hand in glove. He has admitted that when he joined Knockout he thought the show was very downmarket and the balance between games of physical strength and slapstick needed to be addressed. It happened gradually and with each passing year the dream team of Stuart, Eddie and Arthur pulled in greater viewing audiences and the programme became a staple part of the BBC's summer and autumn schedules. I have yet to hear anyone else on television introduce a programme like Stuart did with Knockout. I have yet to hear any other broadcaster combine the duel tasks of projecting the atmosphere to viewers while maintaining the excitement at the venue so well. He was able to mix high levity and north country wit that gave the show an edge.
There is no doubt that through Knockout, Stuart had become ingrained on the conscience of the British viewing public. It has to be said that it was the famed laugh that brought notoriety and acclaim in equal measure to Stuart. He has described laughter as the safety valve in our often hard and serious lives. Some have suggested that his laugh could be turned on and off like a water tap, but laughter is a natural emotion for everyone and being a man of emotion and passion, for Stuart his hilarity was part of his make up and it became his trademark. The comic writer Barry Cryer once said the famous maxim, "he who laughs last, laughs longest" should be amended to "he who laughs last...is Stuart Hall". Knockout fans I'm certain would testify that the famous Penguins of Aix-Les-Bains in 1974 or the Budgies on show at Sherborne in 1981 would not have been as amusing if it wasn't for Stuart's raucous laughter while at the microphone. There are hundreds of similar examples that could be chosen, but a fitting tribute to the laugh would be from Willi Steinberg the Jeux Sans Frontières games designer for German television who once said to Stuart, "if you laugh, we know the game is good and funny".
In 1999, an early day motion was presented to the House of Commons in celebration of Stuart's forty years in broadcasting. The motion was endorsed by no less than eighty-two members of the club with the famous green benches. It congratulated Stuart Hall on his unique style that has endeared him to millions, his use of the English language in his football reporting that has made him an icon to the youth of today and a mellifluous voice redolent of Sinden and Gielgud intertwining Shakespeare, Keats and Wordsworth. I can only agree wholeheartedly with the sentiments of our elected representatives.
Stuart Hall - a Christmas child, a baker's boy and a television treasure, whose gift was to enrich life for the millions he connected and engaged with, in an illustrious life and career. Though I could never be him, it's never diluted my admiration of him.
Remembering Betty Turpin: 1969 - 2011


Betty and her husband Cyril move to Coronation Street in June 1969, helping her sister Maggie to run the local corner shop following the breakup of Maggie's marriage to Les Clegg. Maggie, however, resents Betty's interference and persuades landlord Jack Walker (Arthur Leslie) to give Betty a job as a barmaid at The Rovers Return Public House. Betty clashes with the landlady Annie Walker (Doris Speed), who fears that Jack may find her attractive, and fires Betty as a result. Betty takes a job in a rival pub, and returns only when Annie apologises. Betty becomes close friends with fellow barmaid Bet Lynch (Julie Goodyear), who on occasion lodges with her, uses Betty as a chaperone on dates, and frequently seeks her advice in running her life.
Cyril's employment as a policeman causes Betty problems when Lucas, a man he has previously arrested, begins stalking her. She initially refrains from telling Cyril, fearing that he will get into trouble. When Cyril finds out, he attacks Lucas with a piece of lead piping and has to leave the police force. Betty has a breakdown when Cyril dies of a heart attack in 1974, leaving her only £859. The same year the truth about her illegitimate son is revealed, and when the community discovers this, Betty finds it difficult to face them. She busies herself by taking in lodgers, and acquiring a ginger cat named Marmaduke for extra companionship. Betty builds a relationship with Gordon, though he upsets her occasionally, particularly when he neglects to invite her to his wedding.
Betty is mugged in 1982 by Ryan Attwood from Ken Barlow's' youth club; she ends up in hospital with a broken arm. This leads to a reunion with Ted, the man who fathered Gordon, though he is unaware of his son's existence. Ted visits Betty in hospital after reading about her mugging in a newspaper. Betty agonises over whether to tell Ted about Gordon, but decides against it, preferring not to stir up the past.
On the fiftieth anniversary of VE Day in 1995, Betty is reunited with her wartime sweetheart Billy. The two marry several months later, and Gordon gives his mother away. They live happily together until Billy also dies of a heart attack in 1997. Betty becomes famous in Weatherfield for her hotpots, which come under scrutiny in the early 1990s when it is believed that they are contaminated. She is cleared of all wrongdoing when it is discovered that beer, not food, is responsible for a spate of stomach upsets. Betty acts as lady mayoress alongside mayor Alf Roberts (Bryan Mosley) when his wife Audrey (Sue Nichols) has no interest in fulfilling her civic duties. This includes accompanying him to receive his OBE from the Queen, much to Audrey's chagrin.
In 1999, Betty celebrates 30 years of working at the Rovers Return with a party attended by all the regulars. She considers retiring in 2002 and briefly moves to Wimbledon to be with Gordon and his wife Caroline. Feeling that Caroline does not want her there, Betty considers moving into a retirement home, however is convinced to stay in Weatherfield by her close friend Emily Bishop (Eileen Derbyshire). Around the time of Betty's fortieth anniversary at the Rovers Return, she is sacked by new manager Poppy Morales (Sophiya Haque) after clashing with her on several occasions. Landlord Steve McDonald (Simon Gregson) eventually tires of Poppy's poor treatment of the staff and fires her. Betty is re-instated, and plays the Fairy Godmother in the 2009 Rovers Return Christmas pantomime performance of Cinderella. In early February 2010, Betty has a party in the Rovers celebrating both her 90th birthday and the fact that she is the oldest barmaid in Weatherfield; however it backfires when 91 year old Enid Crump (June Broughton) crashes the party and claims she is the oldest barmaid not Betty. Later Enid becomes sick after Steve serves her a 3-month old hotpot. Betty and Steve are left terrified when they realise that the hotpot could kill her, but she later recovers.
In his 1998 book The Women of Coronation Street, Daran Little describes Betty as an archetypal mother figure. He compares her to one of Coronation Street's original characters Minnie Caldwell (Margot Bryant), as she is "warm and comforting [...] loves cats and has had her share of lodgers"; however, Little notes that "while Minnie wandered through life in a haze, Betty is sharp-witted, blessed with insight and wisdom". Discussing her evolving characterisation, Little writes: "She hasn't always been the incarnation of lovable joviality: when she arrived in the Street in 1969, she was loud, brash and a vicious-tongued gossip."
Betty's two passions in life are darts and food. Playing darts brings out her competitive side, and she enjoys beating her male customers. Cyril frequently protests when Betty attempts to diet, as he prefers her "homely and comfortable" figure. Ultimately, Betty stops trying to lose weight, stating: "I had to chose between losing a few pounds or losing my marital partner. If my Cyril had wanted to marry a skinny rabbit he'd have married one." Betty breaks down when Cyril dies from a heart attack, with Little noting that: "Cyril had been the stabilizing force in Betty's life, and without him she relied heavily on her job and friends at the Rovers – she couldn't face life alone at home". Little has observed that Betty "has a finely tuned sense of right and wrong and has never been afraid to stand up for her beliefs", citing Betty's shock at being mugged in 1982, and calling the NSPCC to report a female neighbour whose children were left outside until nightfall while their mother entertained her boyfriend.
In 2010, Betty Driver discussed her character, saying, "Coronation Street characters tend to fit into one of two camps. Those who have drama after drama and those who muddle through life, often in the background, as sturdy and dependable as the famous cobbles. Betty falls into the latter group. There have been moments of drama, intrigue and even romance – but it has been her presence behind the bar, cutting up pieces of lamb and chunks of potato, that has endeared her to the viewers." When asked about Betty's "sharp tongue", Betty Driver suggested, "Not really sharp. [Betty's] just straightforward. [She's] not nasty to anybody but [she doesn't] suffer fools gladly."
Betty was the longest-serving barmaid of the Rovers Return. She first served behind the bar in 1969 and has been shown to work there for 42 years, as of 2011. There have been brief breaks however, as storylines have led to the character being fired or quitting her post. She was fired by Annie Walker (Doris Speed), who accused her of theft, and she quit her post in 1995 when Jack (Bill Tarmey) and Vera Duckworth (Liz Dawn) took over as landlords. In the summer of 2009, Betty was sacked again temporarily by manager Poppy Morales. A Coronation Street insider reassured The Sun that Betty was not being written out of the show, however, stating: "She’ll be here for a long time to come – she’ll just be on the other side of the bar for a change". In a storyline that aired in February 2010, Betty – at 90 years old – was named Manchester's Oldest Barmaid. In a plot twist, a 91 year old rival came forward, resulting in Betty fearing she killed her, when the rival consumes a two month old hotpot.
During her time on Coronation Street, the character has become synonymous with her signature dish at the Rovers Return, Betty's Hotpot. ITV have described the dish as "the stuff of legends" and in 1995, pie manufacturer Hollands Pies launched a real-life range of hotpots and pies based on the dish, called "Betty's Kitchen". The idea for the range originated with the firm's marketing director, Dilys Day, who explained: "I was brought up on hotpot and Coronation Street. So when I joined Holland's a year ago, it seemed right to put the two together with Betty's hotpot." Day added that: "We are all very excited about Betty's Kitchen products. Holland's is a strong northern brand, with mass market appeal and wholesome, honest values - the same can be said for The Street."
In his book Marketing Communication, Richard J. Varey used the product range as an example of a company capitalising on a form of product placement or "stealth advertising", writing that "Viewers don't realize that they are, in effect, watching an advertisement". Betty Driver said of the range's launch: "Betty Turpin's hotpots have become something of an institution at the Rover's and she's very proud of her reputation for good, wholesome food. I think it is a lovely idea that people will be able to buy them in supermarkets now." Betty discussed her astonishment at the general level of interest in her character's hotpots, disclosing: "I was on a cruise on the QE2 a few weeks ago, and everyone was asking me about it. Then one day, they served hot pot on the menu and everyone thought it was mine!"
Farewell Betty. We'll all miss you!....