Hi there and welcome to Ado's Blog. I am obsessed with nostalgia, especially 1960s & 1970s nostalgia and I enjoy nothing more than reflecting on days and times that have sadly long since gone! So join me, as I take a nostalgic gander down Memory Lane and celebrate all things past and occasional present, both good and bad! (All images used that are copyrighted are copyrighted to their respective publishers and are only used here for review purposes.)
Wednesday, 11 May 2011
Action Man: (Part Two) 1993 - 2006: The return.
Radio Times - Last of the Summer Wine: 1975
Tuesday, 10 May 2011
Radio Times - Sir Norman Wisdom: 1956
Cloppa Castle - Episode One: Spring Is Sprung
Paper Lace - Billy don't be a Hero: 1974
"Billy Don't Be A Hero" is a 1974 anti - war song by Paper Lace and was also recorded by Bo Donaldson and the Heywoods. It was written by Mitch Murray and Peter Callender.
Because the song was released in 1974, it is often associated with the Vietnam War, though it actually refers to the American Civil War as evidenced by the "soldier blues" (the Union Forces) in the lyrics and on the cover of the single album. Also, A 1974 music video shows the band performing in Union uniforms. A young woman is distraught that her fiancé chooses to leave the area with an Army contingent passing through the town and go with them to fight. She laments,
- "Billy, don't be a hero! Don't be a fool with your life!
- "Billy, don't be a hero! Come back and make me your wife!
- "And as Billy started to go, she said, 'Keep your pretty head low!'
- "Billy, don't be a hero! Come back to me!"
The song goes on to describe how Billy is killed in action in a pitched battle after volunteering to ride out and seek reinforcements. In the end, the woman throws away the regret letter notifying her of Billy's "heroic" death.
Paper Lace's version of "Billy Don't Be a Hero" hit number one on the UK singles' chart on March 16 1974. The band made plans to release it in America but the song was covered and released by Bo Donaldson and the Heywoods. Their version was rushed out before Paper Lace could release and it hit no 1 on the Billboard Hot 100. on June 15. Subsequently although Paper Lace had the chart-topper in the UK, its version stalled at #96 on the Billboard Hot 100. The Bo Donaldson version failed to chart at all in the UK.
Classic Bond - Thunderball: 1965
The phenomenal success of Goldfinger (d. Guy Hamilton, 1964) and the global appetite for greater spectacle and increased fantasy clearly indicated the way forward for the 007 franchise. "Here comes the Biggest Bond of All!" screamed the posters for Thunderball (1965), confirmingEon's new approach. At its most obvious, this was signalled by the movie's huge $5.5million budget and the fact it was the first to be filmed in Panavision widescreen.
More significantly, however, Thunderball departed from the tight narrative structures typified by its predecessors and introduced a more episodic format, in which sprawling action sequences are included for visual effect as opposed to plot advancement.
The most obvious example remains the vast, climactic battle, shot by underwater expert Lamar Boren and employing 45 scuba divers as extras. Director Terence Young clearly felt he was out of his depth shooting these scenes: "all that underwater stuff was anti-James Bond," he later commented, "Because it was slow motion". However, inventive choreography and John Barry's relentless score help rescue the sequences, and aqua-action became a staple of the series.
Thunderball also ushered in the voluptuous villainess who cannot be turned by Bond's sexual and ideological persuasiveness. Domino, played by former Miss France Claudine Auger, exemplifies the archetypal submissive 'Bond girl', but Fiona Volpe (Luciana Paluzzi) - a strong, intelligent enemy agent - created the template for tough, independent females which still endures.
Ken Adam's sets represent another triumph. SPECTRE's cold, gleaming, ultra-modern boardroom, for example, contrasts wonderfully with the Secret Service's conference chamber, a marble and mahogany vision of traditional Colonialism. The juxtaposition quietly implies that the older, more British virtues remain the most reassuring and legitimate.
Although less taut than the opening three Bond movies, Thunderball offers enough to recommend it. John Stears's Oscar-winning visual effects, Ted Moore's lush photography and the spectacular sets all conspire to make this a visually arresting piece of work. Connery's cool, charismatic Bond remains compelling, and he clearly enjoyed working with Young again, who allowed him to improvise many of the film's trademark one-liners.
This was more extravagant and less realistic than previous Bonds, and its takings were unsurpassed until The Spy Who Loved Me (d. Lewis Gilbert, 1977). Producer Albert R. Broccoli in particular noted the correlation between cinematic excess and success, and resolved to replicate the formula. As Bond mutters after harpooning the evil Vargas (Philip Locke), "I think he got the point."
MONTHLY FILM BULLETIN
THE BRITISH FILM INSTITUTE
Volume 33, No.385, February 1966, page 20
THUNDERBALL (1965)
SPECTRE, the International Crime Syndicate, plans to hijack two atomic bombs from NATO, promising Whitehall not to wipe out two cities so long as a ransom of £100 million is paid. The signal for Whitehall's acceptance is that Big Ben should strike seven at six o'clock. The operations are begun at a health clinic near the NATO airfield, when Count Lippe tries to kill Agent 007, James Bond, on an exercising machine. Bond is rescued by therapist Patricia, and retaliates by stepping up the heat in Lippe's steam bath. Meanwhile Fiona, of SPECTRE, suborns Major Derval, of NATO, and has him murdered by a bandaged man at the clinic. The bandages cover the results of plastic surgery: SPECTRE man Palazzi has become his victim's double. Palazzi now flies off with the bombs in a plane which sinks to the ocean floor. He is in turn murdered by SPECTRE executive Largo, who takes the bombs in a submarine to a secret underwater cave. Despatched to Nassau, Bond meets Derval's sister, Domino, who is living with Largo. After losing to Bond at chemin defer, Largo invites him to Palmyra, his secluded palatial estate. Bond falls into Largo's steel-lidded, shark-infested swimming pool, but escapes. He returns to his hotel to find Fiona in his bath-tub. They make love, after which Fiona betrays him to Largo's men. Though shot in the leg, Bond makes a getaway under cover of a local carnival. Fiona follows the trail of blood to a crowded dance floor, where Bond dances with her before manoeuvring her into the path of a bullet meant for him. With the help of Domino, who is shocked to learn that Largo killed her brother, Bond manages to locate the bombs and eliminate Largo and his army of frogmen.
Of course one would rather have Dr. Mabuse. Of course Thunderball is a blatant parody of the genre, all gargantuan sets, paintbox blood, sexless blondes and gadgetry. There is absolutely nothing memorable about it. It is simply there for the moment, to be superficially enjoyed if one likes that kind of thing, and if one can condone the vast cost of such a toyshop trifle. What does it offer?
More polish than usual, for one thing. Terence Young's direction is nothing if not taut, whisking the narrative along with the speed and precision of a jet plane, defying one to express boredom. To achieve this, he has wisely thrown away most of Bond's character detail, the drinks-and-cars expertise, and stripped Bond down to a kinky-looking Superman in red rubber, an outline Sean Connery fills for once admirably and with ease. The gadgets are splendid - hydrofoil, radio-active pill, underwater jet-harness, a health-clinic rack which threatens to rattle Bond's bones to pulp, a black-leather motor-cyclist whose machine fires rockets and who turns out under her crash-helmet to be the delectably treacherous Luciana Paluzzi.
John Hopkins has been brought in on the screenplay to provide some insolent, amatory wit; the post-Strangelove sets are by Ken Adam; Ivan Tors has provided some eerily effective underwater sequences, including a long climactic battle which looks like Agincourt fought with submarines instead of horses. In other words the film is all of a piece, cunning, heartless, extravagant, shamelessly mid-Sixties. Agreed that Adolfo Celi's villain, though perfectly adequate, is no Dr. Mabuse. But then a film like this would be enough to shock the good Doctor back to sanity.
The Monthly Film Bulletin was published by the British Film Institute between 1934 and 1991. Initially aimed at distributors and exhibitors as well as filmgoers, it carried reviews and details of all UK film releases. In 1991, the Bulletin was absorbed by Sight and Sound magazine.
Vintage Magazine Covers - January 1976 (Part One)
Monday, 9 May 2011
Walker Brothers founder John dies
John Walker, one of the founders of 1960s group the Walker Brothers has died, his spokeswoman said. Walker, 67, passed away at his Los Angeles home after a battle with liver cancer.
Born John Maus, Walker played a pivotal role in the band which scored huge commercial success in the 1960s and 1970s with songs such as Make It Easy On Yourself and The Sun Ain't Gonna Shine (Any More).
His spokeswoman said: "Sadly John passed away yesterday morning Californian time, after a six-month battle with liver cancer."
The band was formed in 1964, when the three unrelated musicians Scott Engel, Maus and Gary Leeds adopted the Walker Brothers name. The group's fame flourished after travelling to the UK in the 1960s.
The Ghost Train - 1941
The train arrives at Fal Vale Junction, Cornwall, where Teddy and Gander are quick to help Jackie with her luggage. Gander offers to share his compartment, but Teddy points out that they are travelling first class, and that Richard dislikes the comedian. Instead they set about helping Miss Bourne, who initially mistakes a carriage window for a door, with her own luggage, including her pet parrot, Polly. Just before the train leaves, Gander realises he has forgotten about the basket containing his props and costumes, but is annoyed when the guard tells him he had thrown it out of the van.
Once the train has left, the passengers are met by Saul Hodgkin, the stationmaster, who tells them that the last Truro-bound train has gone, and there won't be any further trains until morning; he is just about to lock up for the night. Upon Richard's irate prompting, and knowing that he has to rehearse at Newquay the next morning, Gander tries to charter a special, but Saul refuses to make arrangements. As he is preparing his bicycle, rain starts to fall, and the passengers make for the station waiting room, taking out their frustrations on Gander for his lost hat. Saul tries to make it clear that "You can't stay here", but the passengers insist on staying until transport can be arranged. Eventually and rather reluctantly, Saul telephones for a bus, but for some reason is unable to requisition one. He suggests that they walk across to the local village, but the passengers object upon hearing that it is four miles away. In the meantime, Gander has had to rescue his basket from the rain, and borrows the ticket office as a changing room. In spite of the passengers' firm decision to stay put, Saul cannot bring himself to leave them alone, and neither does he wish to stay with them - his reason being that the station is haunted......
In 1897, a branch line was run from Fal Vale Junction to an old port, crossing the river on a swing bridge at the other end of a tunnel close to the station. The swing bridge, worked by a wheel on the platform, was kept open for china clay boats, but was closed whenever trains had to cross it. One day, some locals chartered a special train to take them home after a beanfeast in Truro, and the then stationmaster, Ted Holmes, was kept on late night duty to close the bridge for it. At eleven
o'clock, he went to close the bridge, but the effort caused him to have a heart attack before the bridge had turned very far. He tried to get back to his office and warn Truro that he couldn't move the bridge, but his heart failed as soon as he reached the waiting room door, and he collapsed with his lamp still burning in his hand. With him dead and the bridge still open, there was no way of preventing a crash, and although something warned the train driver, Ben Isaacs, of the danger, he w
Teddy and Jackie soon bring the tea through to the waiting room, and the passengers share out what little food they have to make a meal of it, Herbert and Edna providing sandwiches and eggs while Teddy supplies them with two sausage rolls. During their midnight meal, Gander acts as if Ted Holmes' ghost is lying in the doorway to the branch line platform, repeatedly stumbling as if the ghost had tripped him up. In the end he moves the "ghost" out of harm's way and offers to provide a dessert from a chocolate machine outside. When he returns, however, he finds to his disappointment that he has bought several boxes of matches. As he is telling a story of an accompanying passenger smoking a cigarette until it burned through his lip ("I found out afterwards he'd been dead since Clapham Junction"), they hear footsteps outside. Richard opens the door to the branch line platform, and a seriously ill Saul Hodgkin collapses into the room. Gander rushes outside with his lamp and raincoat to fill a glass with water from the water crane while Richard, Teddy and Dr Sterling carry Saul into the ticket office.
By the time Gander arrives back, Dr Sterling pronounces Saul dead. When Edna hears about it, she is too scared to stay at the station with a corpse in the next room, and she and a reluctant Herbert try to get back to Edna's mother. Teddy tries to call the police, but the line appears to be down. Miss Bourne, meanwhile, is in a dreadful state having fainted at the sight of Saul collapsing into the room, so Gander borrows a bottle of brandy from Dr Sterling to soothe her nerves - with the result that Miss Bourne drinks the whole lot. Teddy, Jackie and Gander bring her through to the buffet to sleep it off, during which Gander tries and fails comically at a trick he had seen at the Hippodrome where all the crockery stays on the table when he pulls the rug off. Shortly after, Herbert and Edna burst into the waiting room with only half their luggage. A knock is heard, and they open the door to reveal a terrified young woman in black. The stranger pleads for help, saying that someone is coming for her, but there is something she has to see. The passengers are confused, particularly when the young woman acts as if they know what she is talking about - until Teddy sees a car coming down the road. As they watch, the car spins off the road and crashes into a tree, so Teddy, accompanied by Gander and Dr Sterling, go to see what has happened.
as too late to stop, with the result that the train plunged through the bridge into the river. The branch line was supposedly closed afterwards, and the bridge has always remained in the open position. Ever since that day, Saul explains, there have been occasions when a train is heard desperately trying to pull up near the station. It never arrives anywhere, and neither does it start from Truro, and it is said to kill anyone who looks upon it. "If it be a natural thing," he asks, "where do it come from...where do it go?"With that, Saul reluctantly leaves the passengers, warning them not to look if they hear a train that night. Miss Bourne is still shaken after hearing his story, but Richard sceptically passes it off as nonsense. Gander has been listening in on the story too, and makes a great fuss of it; in order to take his mind off things, Richard starts a game of chess with Dr Sterling. Gander tries to liven things up by singing "The Seaside Band", but this ends prematurely when Richard loses his temper and throws his gramophone out onto the track. In a surprisingly calm act of retaliation, Gander picks up the chess set and throws it into the fireplace.
After another few moments, Miss Bourne hears something in the station buffet. Richard goes to investigate, followed by Gander who pretends that someone is trying to murder him, but it turns out there is nothing to worry about. Gander then notices that Miss Bourne has some tea with her, and they decide to make some up for refreshment. Teddy sends Gander to fetch some water while he and Jackie prepare to make the tea, but the only source turns out to be a water crane on the platform. In order to stay dry, Gander improvises a raincoat from a tablecloth and a sheet of tarpaulin, but while obtaining his supply of water he finds the old bridge wheel. Curious as to what might happen, he tries to turn it, but the wheel is chained and padlocked, and he can barely move it. He gives up and takes the water into the buffet, where he makes mention of the wheel to Teddy and Jackie before "tea-urning the gas on" in a rather flashy fashion. Again he tries to start conversation with Jackie, but Teddy interferes again and sends him back into the waiting room, where he tries in vain to entertain the other passengers with ghost stories.
Teddy and Jackie soon bring the tea through to the waiting room, and the passengers share out what little food they have to make a meal of it, Herbert and Edna providing sandwiches and eggs while Teddy supplies them with two sausage rolls. During their midnight meal, Gander acts as if Ted Holmes' ghost is lying in the doorway to the branch line platform, repeatedly stumbling as if the ghost had tripped him up. In the end he moves the "ghost" out of harm's way and offers to provide a dessert from a chocolate machine outside. When he returns, however, he finds to his disappointment that he has bought several boxes of matches. As he is telling a story of an accompanying passenger smoking a cigarette until it burned through his lip ("I found out afterwards he'd been dead since Clapham Junction"), they hear footsteps outside. Richard opens the door to the branch line platform, and a seriously ill Saul Hodgkin collapses into the room. Gander rushes outside with his lamp and raincoat to fill a glass with water from the water crane while Richard, Teddy and Dr Sterling carry Saul into the ticket office.
By the time Gander arrives back, Dr Sterling pronounces Saul dead. When Edna hears about it, she is too scared to stay at the station with a corpse in the next room, and she and a reluctant Herbert try to get back to Edna's mother. Teddy tries to call the police, but the line appears to be down. Miss Bourne, meanwhile, is in a dreadful state having fainted at the sight of Saul collapsing into the room, so Gander borrows a bottle of brandy from Dr Sterling to soothe her nerves - with the result that Miss Bourne drinks the whole lot. Teddy, Jackie and Gander bring her through to the buffet to sleep it off, during which Gander tries and fails comically at a trick he had seen at the Hippodrome where all the crockery stays on the table when he pulls the rug off. Shortly after, Herbert and Edna burst into the waiting room with only half their luggage. A knock is heard, and they open the door to reveal a terrified young woman in black. The stranger pleads for help, saying that someone is coming for her, but there is something she has to see. The passengers are confused, particularly when the young woman acts as if they know what she is talking about - until Teddy sees a car coming down the road. As they watch, the car spins off the road and crashes into a tree, so Teddy, accompanied by Gander and Dr Sterling, go to see what has happened.
The driver of the car is unhurt, but his car is badly damaged. It turns out that he had skidded on Herbert and Edna's luggage, including a fender donated them by the owner of a furniture shop. They return to the waiting room with the battered luggage and the driver of the car, who introduces himself as Price and explains that he has come in search of his sister Julia. He adds that she suffers from delusions, and is normally kept under observation. Julia overhears, and emerges from the buffet protesting that he is lying. Price further explains that she once thought she had seen the ghost train, and this was such a shock to her that has retained a fascination for it ever since, and experiences compulsions to try and see it again. He is curious, however, as to how they heard about the ghost train; the passengers reply that Saul Hodgkin had told them, but is lying dead in the ticket office. Price goes to take a look, but Saul's body has mysteriously vanished, and his desk was just the way he had left it earlier. When they explain to Price what had happened, Julia insinuates that it was actually Ted Holmes.
Dr Sterling suggests that Julia remains at the station until she realises that the ghost train doesn't exist. Price reluctantly concedes, but insists before he leaves that Julia comes back with him as soon as he can find a car. Some time after he leaves, a signal bell is heard to ring in the ticket office, followed by the shrieking whistle of an approaching train. Teddy and Richard try to open the doors and get a look at the train, but the doors won't open. As it thunders through the station, Julia smashes a window to get a look at the train, but faints the moment she sees it. Dr Sterling makes her comfortable on one of the waiting room benches and requests for a glass of water. Teddy and Gander, who suspect trouble, take this opportunity to go outside to do some sleuthing.
On the bus, Teddy explains to Richard that the "ghost train" is really a gunrunners' train being used by Fifth Columnists sympathetic to the Nazi movement, with Price as their leader. In the distance, Julia can see the train on the last curve before the bridge. Price and Sterling order the driver to stop, and Price heads down the embankment with Julia and the driver to try and stop the train, but it pays little heed to them as it hurtles towards the bridge. Just as Sterling is trying to retrieve Teddy's gun from Richard, Gander sounds a buzzer in the driver's cab, startling the doctor and enabling Teddy to knock him unconscious. Taking Sterling's gun with them, the passengers make their escape. At the same time, the driver of the ghost train realises too late that the bridge is open, and applies his brakes. But there is nothing he can do to stop in time, and the train takes a nose-dive from the bridge and crashes into the river.
Afterwards, Teddy discreetly explains to Gander that, "confidentially", he isn't whom he makes himself out to be, indicating that he may officially have been sent to investigate the case for British Intelligence. Richard admits that he has been rather foolish, and apologises to both Teddy and Gander. Miss Bourne then staggers out of the buffet with a terrible headache. Thankful that, as far as she is concerned, "nothing exciting has happened", she makes for the special train they have ordered while Teddy and Gander look on in amusement.