Annie's Song - John Denver: 1974

"Annie's Song" is a song recorded and written by Singer Songwriter, John Denver. It was his second number-one song in the United States, occupying that spot for two weeks in July 1974. "Annie's Song" also went to number one on the Easy Listening chart. It went to number one in the United Kingdom, where it was Denver's only major hit single (many of Denver's American hits were more familiar in the UK through cover versions by other artists).

"Annie's Song" was written as an ode to Denver's then-wife, Annie Denver (née Martell). Denver "wrote this song in about ten-and-a-half minutes one day on a ski lift" to the top of Ajax Mountain in Aspen, Colorado, as the physical exhilaration of having "just skied down a very difficult run" and the feeling of total immersion in the beauty of the colors and sounds that filled all senses inspired him to think about his wife.

"Denver paid loving tribute to his wife by dedicating this album to her, and with 'Annie's Song,' a number one hit in July '74, Annie Denver recalls the beginnings: 'It was written after John and I had gone through a pretty intense time together and things were pretty good for us. He left to go skiing and he got on the Ajax chair on Aspen mountain and the song just came to him. He skied down and came home and wrote it down... Initially it was a love song and it was given to me through him, and yet for him it became a bit like a prayer.'

"'The first time I heard "Annie's Song," I told John it had the same melody as Tscahikovsky's "Fifty Symphony, Second Movement" says Okun. 'He walked over to the piano, sat for an hour and came back, and the only thing remaining from Tschaikovsky was the first five notes. It was fantastic.'"

Awesome Higgins Wins Fourth World Crown

John Higgins beat Judd Trump 18-15 in a pulsating final to win the Betfred.com World Snooker Championship for the fourth time.

In one of the best world finals in recent memory and certainly the best since Shaun Murphy beat Matthew Stevens in 2005, Higgins became the only player other than Stephen Hendry (seven) and Steve Davis (six) to lift the famous trophy more than three times at the Crucible.

Higgins trailed 10-7 overnight but used all of his experience and matchplay class to win 11 of the 16 frames today. Trump had chances in most of the frames but missed key balls at vital moments as his hopes of becoming the second youngest champion - after Hendry in 1990 - faded away in the closing stages.

Wishaw's 35-year-old Higgins collected a cheque for £250,000 in winning his third world title in the past five attempts. It's hard to believe that in 2007 he questioned whether he would go down as one of snooker's all-time greats, as he had just one Crucible crown to his name. Now, with his name engraved four times on the trophy, he is an undisputed legend of the sport.

The past 12 months have been the most turbulent time of the Scot's life, with the six month ban for breaching betting regulations followed by the illness and death of his father John Snr. His remarkable capacity to clear his mind on the table and focus on the match at hand was once again evident tonight; only in the post-match interviews did he break down in tears.

Having played the best snooker of his life on a consistent basis over the past four years, and with plenty of time at the top ahead of him, he feels he can challenge the record of seven world titles set by fellow-Scot Hendry.

This is Higgins' 24th ranking title in all, leaving him just four behind Davis (28) though still a long way short of Hendry (36). Despite missing the first five months of the campaign, he has won three ranking events this season plus an EPTC tournament, and has now won 18 of his last 19 matches on the pro tour.

Snooker's equivalent of the Terminator, he's the player who just can't be killed off. Ronnie O'Sullivan, Mark Williams and Trump all had him on the ropes at certain points, but he just refuses to crumble. No other player in history has been as good at winning frames from at least 50 points behind.

Despite Higgins' triumph, this classic tournament will be best remembered for the electric performances of Trump. The 21-year-old left-hander from Bristol with bundles of cue power lit up the event with his sensational and stylish attacking play, delighting fans with a multitude of full-blooded long pots and deep screw shots.

The atmosphere at the start of the evening session was generally agreed to be the best ever witnessed at a snooker match - a clear sign that Trump has captured the imagination of the snooker public. Young, photogenic, fashionable, laid-back and straight-talking, he's a hero for the Twitter generation.

Trump, whose style of play has attracted comparisons to a young Jimmy White and the Shaun Murphy of 2005, will be desperately disappointed not to finish tonight with the fairytale ending. But surely he will be back on the biggest stage competing for the crown and thriving in his new role as the sport's boy wonder.

Ray Winstone: "My gamble on Sweeney role!"

East London actor Ray Winstone fears that he could be setting himself up for a fall with the new film version of the 70s television classic The Sweeney.

The Sexy Beast star is set to play Jack Regan, the role played by the late, great, John Thaw, in the film adaptation which begins shooting this autumn. He told Sky News: "You think, 'why would you want to remake something that's so iconic?' and I thought about this for a while.

"Then I read the script and it really surprised me how good it was."

The recent remake of Arthur, which stars Russell Brand, has been panned by the critics and raised questions about whether the film industry should be doing remakes at all.

"I haven't seen Arthur yet, but we're going to put ourselves on the line with The Sweeney.

(John Thaw & Dennis Waterman in the 70s Sweeney)

"We've got to do the job properly you know. And that's alright, I've had a fight before and this is another one," said Winstone.

The original cop-series about London's Flying Squad ran between 1975 and 1978 and was hugely popular.

He'll be joined on set by British rapper Plan B who's been cast as George Carter, the character originally played by Dennis Waterman.

"We've got Plan B. We haven't got two skinny boys running about with their hair all nice.

"You look at him - Plan B - he looks like he can come through a front door. He's a very intelligent kid and you know what, he can act!"

School for Scoundrels (1959)

School for Scoundrels (d. Robert Hamer, 1959) was adapted from a popular series of books by Stephen Potter - Gamesmanship (1947),Lifemanship (1950), Oneupmanship (1952) and Supermanship (1958) - in which he explained "how to win without actually cheating" by taking psychological advantage of your opponent at every possible opportunity.

As the books were essentially non-narrative, the film presents an original scenario whereby Alastair Sim plays a character named Stephen Potter, whose College of Lifemanship is attended by men such as the hapless Henry Palfrey (Ian Carmichael), plagued by cads such as Raymond Delaunay (Terry-Thomas) and slimy car salesmen Dunstan and Dudley Dorchester (Dennis Price and Peter Jones).

Although credited to Patricia Moyes and producer Hal Chester, the screenplay was co-written by Peter Ustinov and Frank Tarloff, an American-born screenwriter who had been exiled to Britain after being blacklisted by the McCarthy hearings. Credited director Robert Hamerwould suffer a blacklist of a different kind - a recovering alcoholic, he fell off the wagon during production, was sacked on the spot (Chester and the uncredited Cyril Frankel finished the film), and would never work in the industry again.

Truth to tell, there's little sign of the elegance and wit that characterised earlier Hamer films such as Kind Hearts and Coronets or The Spider and the Fly (both 1949) - the virtues of School For Scoundrels rest almost entirely in the script and performances. Thankfully, the latter are up to scratch - Terry-Thomas in particular is outstanding as a classic British bounder, a somewhat under-used Sim creates another memorably eccentric authority figure, and the supporting cast includes such comedy stalwarts as John Le Mesurier, Hattie Jacques (who were married at the time) and Irene Handl.

But Ian Carmichael gets the lion's share of screen time, starting off as a close relative of the innocents abroad that he played in Lucky Jim (d. John Boulting, 1957) and I'm All Right Jack (d. Boulting, 1959) - though here he eventually gets to turn the tables on each of his tormentors. That said, his essential niceness gets the better of him when he finds he can't go through with his planned seduction of April (Janette Scott) - and in turn teaches Potter (and us) a valuable lesson: psychology is all very well if you're merely playing games, but sincerity is far better if you genuinely mean it.

THE

MONTHLY FILM BULLETIN

Published by

THE BRITISH FILM INSTITUTE

Volume 27, No.316, May 1960, page 66

SCHOOL FOR SCOUNDRELS (1959)

Henry Palfrey, new pupil at the College of Lifemanship at Yeovil, recounts his depressing history to the principal, Mr. Potter. The proprietor of a small family business, he is bullied in his office by his chief clerk; he is humiliated by head waiters; he has been tricked by two second-hand car salesmen into buying a decrepit and costly wreck of a car; he has lost his girl, April Smith, to the insufferable Raymond Delauney; and he has allowed Delauney to beat him at tennis. A short course in Lifemanship reverses the situation. Under Potter's paternal supervision, Palfrey returns to wreck the nerves of the chief clerk; to make the car dealers victims of an even more sensational swindle (he exchanges the wreck for a new sports car and £100); to practice gamesmanship on a harassed Delauney and to win back April Smith. His reversion to sincerity in proposing to April comes as something of a shock to Potter, who rapidly recovers to see here the inauguration of a new ploy. The professor of Lifemanship also acquires a new pupil, Delauney.

The joke of Lifemanship, so elaborately worked up by Stephen Potter in his series of books, already looks a little fatigued, like the game of U and non-U. School for Scoundrels might have used it as a foundation for some edged social comedy; and occasionally it seems that this may be just around the corner. But the corner is never turned and the film keeps to a simpler formula: the before and after manner of the advertisements, with the one-down man rather monotonously demonstrating how Potterism has helped him to become one-up. In view of the limitations of the script, which makes nothing of the underlying savageries of the Lifemanship game of humiliation and inspired bad manners, Robert Hamer has directed with intelligent restraint. If the comedy lacks sharpness, he has not allowed it to become further blunted by bogus joviality. The two episodes with the car salesmen, played with gloating greed by Dennis Price and Peter Jones, are the funniest; and there moments at the Lifemanship College which suggest that these short scenes could have stood expansion. Ian Carmichael allows himself to appear a trifle sulky as the victim and boorish as the victor. Alastair Sim, playing a canny, solitary game of croquet or turning to the audience at the end with a horror-stricken "stop the music", has chosen to emphasise the gentler aspects of Lifemanship.

---

The Monthly Film Bulletin was published by the British Film Institute between 1934 and 1991. Initially aimed at distributors and exhibitors as well as filmgoers, it carried reviews and details of all UK film releases. In 1991, the Bulletin was absorbed by Sight and Sound magazine.

Remembering Yootha Joyce.

Yootha Joyce Needham was born in Wandsworth, London, the only child of musical parents Hurst Needham, a well-known singer, and Jessica Revitt, a concert pianist. Joyce was evacuated to Hampshire during World War 2. She left school at 15, then trained at RADA where Roger Moore was a fellow student and toured with Entertainments National Service Association (ENSA).

In 1958 Yootha married the actor Glynn Edwards, best known for playing Dave, landlord of the Winchester Club in Minder. It was through Edwards that she first came to prominence in the renowned Joan Littlewood Theatre Workshop, appearing at the Theatre Royal, Stratford East in Fings ain't what they used T'Be and going on to make her film debut in 1962 in Sparrers Can't Sing. Joyce and Edwards divorced in 1968.

In the 1960s and 1970s, she became a familiar face in many one-off sitcom roles and supporting parts in films, with her first main recurring role being Miss Argyll, frustrated girlfriend of the title star Milo O'Shea in three series of Me Mammy (1968–71). Prior to that, she played a cameo role in The Pumpkin Eater as a psychotic young woman opposite Anne Bancroft, delivering a performance that has been called one of the "best screen acting miniatures one could hope to see."

Her talent for comedy was also used to good effect in programmes such as Steptoe and Son and On The Buses. She made appearances in the movies Catch us if you can, A Man for all Seasons and Charlie Bubbles, as well as TV spin-off films Never mind the quality feel the width, Nearest and Dearest and Steptoe and Son Ride Again. She also appeared as a customer in the pilot episode of Open All Hours and in a 'dark' 1967 movie about a family of young children, entitled Our Mother's House, which starred Dirk Bogarde.

Mildred Roper

But it was not until 1973 that she acquired a starring role, when she was cast as man-hungry Mildred Roper, wife of landlord George, in the innovative sitcom Man About The House. This series, which starred Richard O'Sullivan, Paula Wilcox and Sally Thomsett, as well as Brian Murphy, as George Roper, ran until 1976 and told the story of two young women and a young man sharing the Ropers' upstairs flat, and the sexual tension and misunderstandings such living arrangements provide.

When the series reached a natural end, a spin-off was written for the Ropers, and George and Mildred was first broadcast in 1976. The couple were seen moving from the London house in Middleton Terrace which they had owned in the previous programme and into a newer suburban property in Peacock Crescent, Hampton Wick. Much of the new series centred on Mildred's desire to better herself in her new surroundings, but always being thwarted, usually unwittingly, by her lifeskills-lacking husband's desire for a quiet life.

The way Yootha Joyce portrayed the character of Mildred Roper, with such strong, resilient and dragon-like qualities, concealed the actress's real-life alcohol problem.

A feature film was made of George and Mildred in 1980, but this was to be Joyce's last work. Amidst growing concern over her health she was admitted to hospital in the summer of 1980. Yootha Joyce died, in hospital, of liver failure four days after her 53rd birthday on 24 August 1980. Her good friend, the actor Brian Murphy, who played her screen husband, George Roper, was at her bedside. She was cremated at Golders Green Crematorium.

At the inquest into her death, it was revealed that she had been drinking upwards of half a bottle of brandy a day for ten years, and that she had, in the words of her lawyer, Mario Uziell-Hamilton, become a victim of her own success and the thought of being typecast as Mildred Roper.

She made her last television appearance, shown after her death, on Max, Max Bygraves' variety show, on 14 January 1981. She sang The Carpenters song, "For all we know". At the end of this performance, she told Bygraves, "Thanks, I enjoyed that." The actor/comedian Kenneth Williams recorded in his diary that ...she looked as though she was crying... He also went on to mention her in a later entry in his diary (9 April 1988) that she was "a lady who made so many people happy and a lady who never complained".

In 1986, the British band The Smiths released a single "Ask" which was adorned with a photograph (both on the cover and reverse) in memory of Yootha Joyce.

In 2001, a tribute documentary entitled The Unforgettable Yootha Joyce was broadcast by ITV, which featured many of her co-stars and friends, including Sally Thomsett, Brian Murphy and Norman Eshley, talking about memories and their relationships with Yootha Joyce.

Ready Steady go!

Ready Steady Go! or simply RSG! was one of the UK's first rock/pop music TV programmes. It was conceived by Elkan Allen, head of Rediffusion TV. Allan was assisted by record producer/talent manager Vicki Wickham, who became the producer. It was broadcast from August 1963 until December 1966. It was produced by Associated Rediffusion the weekday ITV contractor for London, called Rediffusion-London post 1964. The live show was eventually networked nationally.

The show gained its highest ratings on 20 March 1964 when it featured the Beatles being interviewed and performed their songs "It Won't Be Long", "You Can't Do That" and "Can't Buy Me Love" - the last of which was a hit at the time. Its last episode was transmitted on 23 December 1966.

The show went out early on Friday evenings with the line "The weekend starts here!", and was introduced by The Surfaris "Wipe Out" - later replaced by Manfred Mann's "5-4-3-2-1" (later replaced by Manfred Mann's "Hubble Bubble, Toil and Trouble"). It was more youth orientated and informal than its BBC rival (from 1964), Top of the Pops. Owing to the scheduling of local news in parts of the UK, several ITV regions joined the show part-way through.

Initially, RSG! artists mimed to records but by late 1964 some performed live and the show switched to all-live performances in April 1965. It was noted for allowing artists to perform the full version of their songs rather than the short versions demanded by other shows. Despite its popularity in the UK, the programme was never broadcast in the United States.

The show was recorded at small studios in Rediffusion's Headquatres in Kingsway, London. Although the company had bigger facilities at Wembley it was easier to attract stars to central London. As the studios were compact it was not possible to hide cameras. The ever-present cameras, which were very large with rotating lens turrets rather than zooms, were sometimes incorporated into the action, notably in a Manfred Mann performance of the song Machines which ended with Paul Jones singing crouched on the floor surrounded by menacing cameras.

The show had a popular following among the British Mod youth subculture of the 1960s.

In 1966, the time that the 'beat boom' was fading, the show was cancelled. Its disappearance at the height of its popularity enhanced its status. Many years later the British musician Dave Clark bought the rights to the surviving recordings of the show. Compilations were broadcast on Channel 4 in the 1980s and VHS videos were issued. In 1989 the show was seen for the first time in the US, on Disney Channel. During that time, Disney was a pay channel, that aired programming aimed at adults at night. Ready Steady Go! has not been officially released on DVD.

The most famous presenters were Keith Fordyce and Cathy McGowan, though early shows were introduced by Dusty Springfield. The show was occasionally presented by David Gell and Michael Aldred. McGowan joined after answering an advert for "a typical teenager" as advisor. She found herself presenting the show, and in fact her status as a fan was evident in her style; stumbling over lines, losing her cool and apparent inexperience made her more popular and by the end she was presenting alone. She also joined in various fun and games including miming with The Rolling Stones to other peoples records, notably "I Got You Babe".

It featured most successful artists of the era, among them The Beatles, The Hollies, The Zombies, Dusty Springfield, The Supremes, The Walker Brothers, The Kinks, Gerry & The Pacemakers, The Fourmost, The Rolling Stones, Donovan (discovered by RSG!), The Fortunes, Helen Shapiro, P.J Proby, Otis Redding, Freddie & The Dreamers, The Dave Clark Five, Bobby Vee, The Animals, Cilla Black, The Searchers, The Who, Georgie Fame and the Blue Flames, Billy Furry, Lulu, Marvin Gaye, Gene Pitney, The Beach Boys, Sandie Shaw, Burt Bacharach, Jerry Lee Lewis, Kenny Lynch, Small Faces, Them and The Four Pennies. It was said that Cliff Richard never appeared on the programme because he was considered too popular and would unwittingly incite too great a reaction from the audience.

During one of the Beatles' appearances, Paul MaCartney judged a contest between four teenage girls miming to Brenda Lee's "Let's Jump the Broomstick" (the group had opened for Lee before becoming famous), choosing 13-year-old Melanie Coe as the winner. Three years later, after Coe's disappearance made the front page of the Daily Mirror, McCartney would immortalize her in song, using the article as the basis for "She's Leaving Home".

Jimi Hendrix made first TV appearance in England on RSG! with "Hey Joe". After this appearance his club tour sold out and he was quickly added to a nationwide tour headlined by the Walker Brothers. Dusty Springfield devised and introduced the RSG Motown Special in April 1965, featuring The Supremes, Stevie Wonder, The Miracles and Martha and the Vandellas The Supremes performed their now legendary, Stop! in the name of love dance routine for the first time on the show.

The Who proved particularly popular and in 1966 had an episode to themselves entitled Ready Steady Who. The programme no longer exists, but an EP of the name marked the show (although no recordings were from the show). The Walker Brothers were also hugely popular and had a special live edition in 1966 but again the tape was wiped, although extracts surfaced on Youtube in 2009 proving the group did not mime.

Although not mentioned by name.. Ready, Steady, Go! is parodied in the 1967 Film Bedazzled featuring comedians Peter Cook and Dudley Moore (who both appeared on RSG!). In one sequence during the movie, both Cook and Moore play the parts of pop stars singing songs with girls in the audience going crazy for them. Cook's "Devil" character and his group taking the name of "Drimble Wedge and the Vegetations".

TV's Clive James has leukaemia

Veteran TV presenter and critic Clive James has leukaemia, it has emerged.

The 71-year-old Australian, who lives in England, has been battling with the illness for 15 months.

His illness was disclosed by the editor of The Australian Literary Review, Luke Slattery, who said he wrote to James after his requests for an essay were politely rebuffed on grounds of ill health and after James referred to several life-threatening conditions in his poetry, Australian Associated Press reported.

James wrote back saying he was hospitalised in January 2010 for kidney failure. "I was immediately diagnosed for everything else as well, including several lung diseases and a version of leukaemia that is supposed to develop slowly but in my case couldn't wait to get started, mainly in my lungs," he wrote. Slattery, writing in The Australian, said James had been forced to ration his time to work on several book projects, including a second volume of his book Cultural Amnesia.

James has lived in England since leaving Sydney in 1961. He became a columnist for The Observer and has worked for the BBC and independent television. The Mail on Sunday quoted his wife Prue Shaw, an academic, as saying: "Clive has been ill for around 15 months and is being treated at Addenbrooke's Hospital in Cambridge.

"He is suffering from CLL - Chronic Lymphocytic Leukaemia - which if you must have the condition is the kind you want because they can monitor it."

Henry Cooper: 1934 - 2011

Sir Henry Cooper OBE (3 May 1934 – 1 May 2011) was an English Heavy weight Boxer known for a particularly effective left hook (known as "Enry's 'Ammer") and his knockdown of the young Muhammad Ali, then known as Cassius Clay. Cooper held the British and European heavyweight boxing titles, and, following his retirement from the sport, continued his career as a television and radio personality. In later years, he retired from commentary on boxing as he became "disillusioned with boxing", wanting "straight, hard and fast boxing that he was used to from his times." Cooper received an OBE in 1969 and a Knighthood in 2000. He was enormously popular in Britain: he was the first (and is today one of just three people) to twice win the public vote for BBC Sports Personality of the year Award

Henry Cooper was born in Westminster, London. He and his identical twin brother, George (who died in 2010), grew up in a council house on the Bellignham Estate on Farmstead Road, South East London, although during the Second World War they were evacuated to Lancing on the Sussex Coast.

Around 1942, their father, Henry Senior, was called up to serve in the war; the rest of the family did not see him again for almost three years. The twins attended Athelney Road School in Lewisham. The Cooper brothers were particularly close growing up and, in his biography, Henry talks of how they came to each other's aid when things turned nasty in the school playground. One particular incident landed the young Henry his first knockout in the playground. At school, the only subject that seemed to interest Henry was history, where he enjoyed acting out scenarios.

Life was tough in the latter years of the Second World W ar, and London life especially brought many dangers during the blackout. Henry took up many jobs, including a paper round before school and made money out of recycling golf balls to the clubhouse on the Beckenham course. All three of the Cooper brothers excelled in sport, with George and Henry exercising talents particularly in Football and also Cricket. George Cooper, Henry's twin, died on 11 April 2010 at the age of 75.

Henry Cooper is best known for knocking down Muhammad Ali. However he defeated a string of well known heavyweights during his career, including; Zora Folley, Roy Harris, Karl Mildenberger & Alex Miteff . Henry died on 1 May 2011 at his son's house in Surrey, after a long illness.

Picture Book: 1955

Often described as the inspiration for Jackanory, Picture Book was a BBC TV series that first appeared in 1955. It was the Monday programme in the Watch with Mother cycle and was created by Freda Lingstrom. It was initially introduced by Patricia Driscoll. The programme encouraged children to make things. Patricia Driscoll left in 1957 to play the part of Maid Marian with Richard Greene in the ITV series, The Adventures of Robin Hood. She was later replaced by Vera McKechnie.

Each Monday, either Driscoll or McKechnie would fetch out the Picture Book and open it at a relevant page. Sometimes this would be shown to the camera at a distance, making the pages'content often brief and obscure. Alternatively, the presenter would simply tell the children what the next item would be, sometimes with a still photograph as a continuity link. It was something different every week. The 1963 series featured throughout a puppet dachshund called Sausage, that could speak a few words and generally shared the presentation with Vera McKechnie.

Ted Lowe: 1920 - 2011: R.I.P.

Former snooker commentator Ted Lowe has died aged 90, following a 10-week illness that had seen him hospitalised. Lowe, known as 'Whispering Ted' was a member of the generation of BBC commentators who became closely identified with their sports.

Ted Lowe MBE (1 November 1920 – 1 May 2011) was a BBC Snooker Commentator commentator. His commentary style was always measured but quietly dramatic as required. His unmistakably husky, hushed tones earned him the nickname Whispering Ted.

Born in Lambourn, Berkshire, Lowe was the commentator for the popular TV show Pot Black from 1969 onwards. He went on to become the "voice of snooker" and led the commentary in many tournaments. He also commentated in what is generally regarded as snooker's greatest ever final, that between Steve Davis and Dennis Taylor in the 1985 World Snooker Championship.

Lowe uttered the occasional on-air gaffe, similar to motor racing commentator Murray Walker; Lowe's most famous quote was, "and for those of you who are watching in black and white, the pink is next to the green."and he once told viewers that Fred Davis, struggling to rest one leg on the edge of the table in order to reach a long shot, "is getting on a bit and is having trouble getting his leg over".

Lowe retired after the 1996 World Snooker final, although he briefly joined in the commentary for the 2005 World Championship final between Matthew Stevens and Shaun Murphy which Murphy won. This was also the last final sponsored by Embassy.

Lowe died, aged 90, on the morning of the first session of the 2011 Snooker World Championship final.

His wife of 21 years, Jean, said: "His health had been deteriorating for the last 10 weeks. He went into a hospice a week ago and I never left his side. But I could see he was slowly going. He still loves snooker and was watching it on TV."

John Virgo a former player before becoming a co-commentator alongside Lowe, said: "He set a standard for us all. He was wonderful, he had an impish sense of humour and while cricket had its John Arlott and Wimbledon had its Dan Maskell, we had Ted Lowe.

"He was one of the BBC greats. It's a sad day for snooker and he'll be sadly missed."

Bang - A - Boomerang!

As a massive Abba fan I first came across this song back in 1975 when I was bought for Christmas, the Abba Greatest Hits album. This song was so shit hot it should have been released in to the charts where I guarantee it would have reached the No 1 position!

"Bang-A-Boomerang" first released by Svenne & Lotta (both Swedish and English language versions). The track was first recorded as a demo with English lyrics (but without any recorded vocals) in September 1974 by the ABBA musicians for their forthcoming eponymous album ABBA. The song was written by Benny Andersson, Bjorn Ulvaues and Stig Anderson and at one point had the working title "Stop and Listen to Your Heart". The lyrics compare the "message of love" with the returning boomerangs which the Australian Aborigines developed.

In late 1974 Andersson, Ulvaeus and Anderson were invited by Svegires Television as composers to submit a song to the 1975 Melodifestivalen. Since ABBA themselves didn't want to compete in the contest again, just one year after having won, they instead gave the opportunity and the song to Polar Music labe lmates Svenne & Lotta. "Bang-A-Boomerang" was given new Swedish lyrics by Stig Anderson and retitled "Bang en Boomerang" and the duo subsequently made a vocal recording of the track in November 1974 - produced by Björn & Benny - with a different arrangement, most noticeably slightly shorter (2:50) than the original demo, to fit the Eurovision three-minute rule. The song finished 3rd in the Swedish preselections in February 1975, became one of Svenne & Lotta's biggest hits and spent 7 weeks on the Svensktoppen radio chart during the period 9 March-11 May 1975, with a 2nd place as best result. Svenne & Lotta also recorded the song with the original English lyrics, both versions were included on their 1975 album Svenne & Lotta 2/Bang-A-Boomerang (Polar POLS 259). The English version was also released as a single in Denmark and became a big seller there, from a Scandinavian perspective the track is therefore still primarily seen as a hit single and Melodifestivalen classic by Svenne & Lotta. Under the name of "Sven & Charlotte", their original English version was also released in most European countries, and in Oceania, charting in several.

Bang-A-Boomerang Song Lyrics

Making somebody happy is a question of give and take

You can learn how to show it so come on, give yourself a break

Every smile and every little touch

Don`t you know that they mean so much

Sweet sweet kisses so tender

Always will return to sender

Like a bang, a boom-a-boomerang

Dum-be-dum-dum be-dum-be-dum-dum

Oh bang, a boom-a-boomerang

Love is a tune you hum-de-hum-hum

By giving away, I think you`ll learn

You`ll get love in return

So bang, a boom-a-boomerang is love

A boom-a-boomerang is love

Love is always around and you can look for it anywhere

When you feel that you`ve found it my advice is to take good care

Never use it as a selfish tool

Never ever be such a fool

Every feeling you`re showing

Is a boomerang you`re throwing

Yes a bang, a boom-a-boomerang

Dum-be-dum-dum be-dum-be-dum-dum

Oh bang, a boom-a-boomerang

Love is a tune you hum-de-hum-hum

By giving away, I think you`ll learn

You`ll get love in return

So bang, a boom-a-boomerang is love

And if you`re warm and tender

I`ll kiss you, return to sender

Please surrender

Bang, a boom-a-boomerang

Dum-be-dum-dum be-dum-be-dum-dum

Oh bang, a boom-a-boomerang is love

A boom-a-boomerang is love